Christ as the True Vitruvian Man: An Affirmation of the Cosmic Christ and a Critique of Richard Rohr

Not all visions of the Cosmic Christ are of equal value and some stray off into the panentheistic “flow” to such a degree that one might mistake his dog for Christ or the creature for the Creator. Perhaps I need to restate and clarify my previous blog. While the Franciscans and Barth in the West have retained and developed elements of an Eastern Orthodox sensibility (my previous point), I did not mean to conflate Duns Scotus’s understanding, for example, with the best of Eastern Christology. The accusation leveled at Scotus is that his univocity of being led to the notion that an immanent frame of understanding is self-grounding and adequate. The argument of Radical Orthodoxy is that Scotus’s conception of the univocity of being led to the Enlightenment expulsion of God, as nature’s explanation lies within.

Richard Rohr’s embrace and development of Scotus’s univocity of being illustrates precisely what John Milbank and his Radical Orthodox colleagues warned, rightly or wrongly, are implicit in Scotus’s thought. As Rohr boils it down, because Scotus “believed we can speak ‘with one voice’ (univocity) of the being of waters, plants, animals, humans, angels, and God” we arrive at the conclusion, “Our DNA is . . . divine.”[1] The implication is that just as a swimmer should “be able to be the river” we are all in the flow of God and we need to realize we are God (Rohr slightly nuances this). This reading of Scotus seems to fall under John Milbank’s critique, that Scotism seems to put God and man in competition in the same space for power – a notion connected to the rise of secularism.

As Daniel Horan has pointed out in his book length work on Milbank and Scotus, Milbank presumes univocity constitutes a metaphysics but Scotus deploys this understanding only in discussions of logic, semantics, and epistemology, not as an alternative to analogy, but as an explanation of analogy.[2] Radical Orthodoxy however, would be unimpressed with Horan’s fine distinction, as in Milbank’s view it is not possible to separate epistemology from metaphysics as epistemology implies a particular metaphysics. But my point is not to defend Milbank’s reading of Scotus.

If Milbank’s critique does not to apply to Scotus, it would seem that it hits the mark with Rohr, who claims to be an expositor of Scotus.  Rohr concludes that univocity refers precisely to metaphysics: “We are already connected to everything—inherently, objectively, metaphysically, ontologically, and theologically.” [3] While Rohr seems intent on reenchanting the universe he has struck upon an odd formula, the very formula many point to as giving rise to the disenchanting of the universe in the first place. Whether the genealogy of secularism runs directly through Scotus, or Scotus and Occam to Protestantism, the point is that the very thing Scotus is accused of is precisely the way Rohr understands him.

This is a long way from Maximus the Confessor’s presentation of cosmology, anthropology, soteriology, eschatology, finding harmony in a unified Christology. Maximus maintains that the creation reflects the glory of God and that humans can raise the degree of creation’s participation in this glory. As Lars Thunberg states, “His system of theology was in fact a spiritual vision of the cosmos, of human life within that cosmos, and therefore of the economy of salvation, the salvific interplay between the human and the divine.”[4] There is participation, interplay, a lifting up into participation in the divine. This participation contrasts with Rohr’s notion of univocity in which, “We all participate in the same being. God is one (Deuteronomy 6:4), and thus reality is one too (Ephesians 4:3-5).”[5] The participation seems to be automatic and built in and is not simply analogous reflection and a participation to which one rises. No subtleties here. Which brings me to my point in illustrating the Cosmic Christ as a displacement of the Vitruvian Man.

My illustration of the Cosmic Christ as the true Vitruvian Man (in my previous blog), Jonathan pointed out to me, is riddled with problems (a discussion we take up with Matt in our upcoming podcast). The potential problems Jonathan had with my illustration are not so different from the problems I would have with some of Richard Rohr’s illustrations and conceptions. So, not so much in an effort to answer Jonathan’s objections or to save my illustration but to point to the issues at stake in how we comprehend the Cosmic Christ, I want to defend my argument for displacing the Vitruvian Man with Christ. I have no particular attachment to the illustration, but the very issues it raises pertain to a proper comprehension of the Cosmic Christ.

What Leonardo, or Vitruvius before him, were attempting (implicitly if unconsciously) in the Vitruvian Man, was to describe the coherence of things presumed in Christianity but they sought this coherence within an immanent frame (the human frame quite literally). The secularizing element (which would develop with the Enlightenment) was to arrive at an abstraction of man so as to translate this abstract ratio to both architecture and to the world. These ratios only work in the abstract, and the point is not in reference to any particular man, but to the ideal man. As Jonathan rightly points out, the Vitruvian Man in representing the dimensions of the human body as a microcosm is focused on the disincarnate mathematical dimensions of the body (e.g. a palm is four fingers, a foot is four palms, a cubit is six palms, four cubits make a man, a pace is four cubits, a man is 24 palms, etc.). My point in putting Christ in place of the Vitruvian Man is precisely to maintain the positive developments of the Renaissance and Enlightenment while avoiding the failures.

There is a sense in which all that was good and true (the coherence of the world and the human ability to follow its logic) and all that was wrong with the ideas which would blossom in the Enlightenment (anthropocentrism, chauvinism, the turn to mechanics, and ultimately secularism or the presumption of a self-grounding world) are represented in seed form in the Vitruvian Man. In displacing the Vitruvian Man with the Cosmic Christ there is an acknowledgement of coherence, a readability of the universe, without the singular focus on the model of mathematics and mechanics and without the chauvinism entailed in privileging a class of bodies (white, European, males). There is an appreciation for a recapturing of a classical focus on the senses (particularly sight) and the body without a desensitizing turn from the auditory revelation found in the historical Jesus.

It is telling that at points, Leonardo’s reading of the body onto the world sounds like Rohr or vice versa. In a notebook from 1492, Leonardo mused, “By the ancients man has been called the world in miniature; and certainly this name is well bestowed, because, inasmuch as man is composed of earth, water, air and fire, his body resembles that of the earth.” The universals are within and the divine need play no role. Rohr simply extends the immanent frame so as to include the divine: “we can speak “with one voice” (univocity) of the being of waters, plants, animals, humans, angels, and God.” While this may seem to be an affirmation of the material it is the loss of the material world in the shared abstraction of being. The immanent presence of the divine within this univocal being is also constituted an empty abstraction. Rohr maintains, “Creation is the Body of God” and he wants to downplay the particular body of God found in Jesus. He holds that “Jesus” must vanish that “Christ” may come forth. Rohr’s Christ, dispossessed of Jesus, takes on the abstraction of all being which has no specific historical characteristics but which blends with all matter and bodies.  

There is an equilibrium contained in the name of Jesus combined with Christ in which the cosmic, preexistent, reality is made specific and accessible through the incarnate Jesus. The notion of a singular logic, the coherence of the universe, and its accessibility are implicit in Christ as Creator and Redeemer. But, as with Maximus, there is not a given metaphysical univocity of being, but a participation in the divine being through Christ that is not inherently available in the material universe. There is a specific necessity for the historical Jesus, the specifics of the shared body of Christ. It is not that Jesus affirms every story, every body, every form of material existence equally. It is the cruciform life of Jesus that is the point of access to the Cosmic Christ.


[1] Richard Rohr, https://cac.org/the-univocity-of-being-2015-05-27/.

[2] See Peter Leithart, “The Scotus Story” in January 19, 2015 Patheos.

[3] Rohr, Ibid.

[4] Thunberg, Lars. Man and the Cosmos: the Vision of St. Maximus the Confessor. Crestwood, NY: St. Vladimir’s Seminary, 1985. p. 31. Quoted from https://orthochristian.com/96486.html

[5] Rohr, Ibid.