Anthony Bartlett’s Love’s Entanglement: God as Nonviolent Relation and How That Brings the World to Peace

We need Anthony Bartlett’s delineation between the clear, apocalyptic, anti-sacrificial, early Girard, and the compromised, muddled, and somewhat defeated later Girard, now more than ever.[1] Tony gently calls us to return to the true vision of Girard, in the midst of this cultural and political moment in which flaky Girardians, such as Peter Thiel and JD Vance rule. It is nearly impossible to initially distinguish between two groups: those Girardians who, like Thiel, would “turn to a new kind of Constantinian order where Christianity accepts the expedient role of force” and those who like the Girard of Things Hidden, who writes, “(The) sacrificial concept of divinity must ‘die’ and with it the whole apparatus of historical Christianity, for the Gospels to be able to rise again in our midst, not looking like a corpse that we have exhumed, but revealed as the newest, finest, liveliest and truest thing that we have set our eyes on.”[2] Girard initially saw no possibility of accommodating his theory to the institutional Church or the “apparatus of historical Christianity,” but then he compromised. Bartlett compares him to Galileo, making his initial discovery, and then under pressure from the Church, or friends such as Raymund Schwager, he backs down. Maybe the earth and its history of violence are true center (he seems to be saying in Battling to the End). Maybe his discovery in the Bible and Christ of a primary “transcendental relation of nonviolence” is inadequate in the face of “reality.”

Girard backs down in his opposition to the term “sacrifice” in conjunction with the death of Jesus. Schwager referred to Jesus’s death as “scapegoat” and “sacrifice” which had aroused his “unease” but he decides Schwager must be right, and he wants to be accepted by the Church.[3] He had wanted to “draw a definitive line between the death of Jesus and the deaths of the gods, since the former was viewed by ethnologists and cultural commentators as the ‘same-old’ mythical story.”[4] Schwager convinced him to drop his opposition to the language of sacrifice, and with this he compromised his original notion of a “symbolically manifest difference, something as visible and tangible as possible.”[5] Bartlett explains that accompanying this shift then was a compromise to what was key in his theory: “This is important as it seems to manifest the intention in Girard of expressing a critical semiotic shift from sacralized Christianity to the new meaning of the Gospels: he talks of a symbolically manifest difference.”[6] His theory had focused on the manifest difference of revelation breaking into human violence in Jesus Christ and making a clear distinction between a violent God and a nonviolent God. There was an absolute and apocalyptic difference, and no notion of some neutral ground with an admixture of violence and nonviolence. “Surely the deep tilt of Girard’s argument was a revelation coming from outside of humanity, and this does have a manifest difference for which it is correct to seek a proper symbolic or semiotic status. Girard’s instincts were by no means wrong.”[7]

“The gospel has its authentic character as a message, an angelion, which stands urgently for itself with its own highly distinctive semiotic status. Early Christianity expressed this dramatic difference by calling the crucified-and-risen Jesus ‘Lord and God.’”[8] Bartlett dubs this unique relation to God revealed in Christ “the transcendental relation of nonviolence.” This is the absolutely unique transformation, which cannot be laid out on some sort of historical or philosophical continuum. Bartlett recognizes that theology has continually compromised philosophically and historically, by imagining the divine revelation on a continuum with natural revelation, but this is always a compromise with violence. The semiotic shift of Christ is a different order of meaning. It “should be announced as an absolute difference reconstituting human meaning. Anything less is to forfeit the remarkable evangelical breakthrough Girard has himself brought about.”[9]

Girard abandons his clear understanding of Christianity’s uniqueness; there is “archaic sacrifice and Christian sacrifice. However it is all sacrifice.”[10] Mimetic desire and rivalry, he concludes are the case for all humans and there is no escape. “I repeat, absolute knowledge is not possible. We are forced to remain at the heart of history and to act at the heart of violence because we are always gaining a better understanding of its mechanisms. Will we be able to elude them? I doubt it.”[11] He had once understood “it is Christ who finalizes . . . the definitive revelation of a nonviolent god.”[12] Yet, in conversation Bartlett asked Girard if God is nonviolent, he answered, “I don’t know.” In his early work Girard sets forth the priority of Christ over subsequent violence.  “’Christ was the last messenger who came first.’ “It is a remarkable announcement of his full biblical thesis, presented with unquenchable brio and clarity, with the theme of revelation running like white-hot lava through its lines.”[13] By the writing of Battling to the End, however,Girard abandoned his belief in the priority of the nonviolence of Christ. “There Jesus is a last figure at the very end of history whose first meaning has been swallowed up in mimesis and violence.”[14] Girard begins to darkly presume apocalypse means a violent end to all things, and no longer refers to Christ’s apocalyptic breaking into history.

Girard once held that the biblical critique of violence was the basis for a sociological understanding, which arose from a place that was unassailable. He saw the gospel text as working unlike any other as it “breaks away from the rules of ordinary textuality.” As Bartlett notes, “These rules are obviously rooted in the relationality of generative violence.”[15] It is only in Christ, and reading in light of the gospel of Christ, that the violence of ordinary textuality is undone. Girard adds, “If this is the action of the text, the claims of Christianity to make Christ the universal revealer are much more well founded than its defenders themselves imagine, by which I mean those who always blend elements of ordinary sacralization into Christian apologetics. As a result they invariably regress to protocols of ordinary textuality . . .”[16] Bartlett adds, “Christ is the ‘universal revealer’ not ‘the universal scapegoat’ and it is this function that both breaks with past hermeneutics and appears weak before them if new relationality is not fully thematized.”[17]

Bartlett’s goal in the book is to demonstrate the necessity of thematizing, centering on, making primal, the role of relationship. He sees this as the original failure of Girard, and why his thinking was vulnerable to subsequent failures and shifts. Certainly, it is correct to desire “symbolically manifest difference,” as “it speaks to the sense of the new generative object-sign for human meaning.”[18] But if this new meaning is not grounded in relationship rather than abstraction it will collapse. Thus, Bartlett sees his work as providing a bulwark against this collapse, and he seeks to preserve the stark realization of early Girard, against his own collapse. “He held onto his manifest difference as long as he could, but in the end he let go of it, for lack of feedback and the intellectual shift of categories that would fully vindicate him. His thought was brought back within ‘ordinary sacralization’ because it had not found or expressed its crucial semiotic and relational framing.”[19]

Bartlett has extended and applied René Girard’s theory philosophically and theologically, providing a fresh reading of Scripture, founded, not on ontology or metaphysics but in relationship. Love as nonviolent relation, as in the subtitle of his book, is simultaneously an explanation of reality, and salvation as being brought into that reality. Undergirding Girardian theory is a linguistic and anthropological understanding, exposing relationship as primary. Bartlett does not repeat the Girardian picture of the initial scapegoating entry into language, but he provides Kierkegaard’s definition of self as “a relation that relates itself to itself . . . the self is not the relation but is the relation’s relating itself to itself.”[20] This is not a relation to language, but it is a possibility within the self, posed by language. “God sets humanity in motion as relation, which then opts for all the wrong solutions within its synthesis until it comes to relation with God.”[21] Bartlett then turns to Martin Heidegger, (who plays the role of summing up the Western philosophical tradition and who fails in his attempt to escape metaphysics), Charles Peirce, Jacque Derrida, the Greek philosophical tradition, along with Girard and Scripture, and picks up where Girard left off. As he describes in the Introduction of his book, “This is a book about René Girard wrapped in a book about relation.”[22] Kierkegaard sets the tone of the book, in seeking to get to the bottom of relationship.

In particular he has in mind the relationship of love. “Once the gospel antithesis to violence is established then a project of semiotics rather than metaphysics becomes unavoidable.”[23] In Girard’s theory of hominization, humans enter into language over the cadaver of the scapegoat, which provides the focus so as to give birth to the sign. Difference, life and death, signaled by the cadaver of the scapegoat, acts as the primary focal point that transforms terrifying, chaotic violence into unified attention. The cadaver is the first sign because it is the first thing humans looked at collectively in peace, transforming a physical remainder of violence into the foundation of meaning, language, and the sacred. The manner in which we are all grounded in violence is the beginning point: “A theory of language that clearly recognizes violent origins is then able to open up, simultaneously and necessarily, to a radically alternative language, a message, a gospel, that overthrows those origins in explicit nonviolence.”[24] Part of the saving work of the gospel must be the exposure and overthrow of this inherent violence. To begin in metaphysics or philosophy or in some “natural understanding” involves a continuation in this violent inheritance, opposed to the gospel. In Kierkegaardian terms, this is to continue in the “sickness unto death,” which recognizes in the diagnosis of the disease the primacy of relation (ultimately resolved in Christ).

Of course, this insight is not lacking in Girard; the Logos of the Prologue to John, and the whole Bible must be re-read “in a genuinely Christological light, we must recognize the Word of truth to be the true knowledge of the victim, continually eluded and rejected by mankind.”[25] Genesis portrays God expelling the first couple from his presence, and then Cain slays Abel and establishes the first city, while “in the Prologue to John it is mankind who expels God.” The God who inflicts violence is replaced with “the God that only suffers violence, the Logos that is expelled.”[26] This Logos that has been cast out by his own and by the world, is the rejected truth (with the rejection signaling the nature of this truth). “Pascal writes somewhere that it is permissible to correct the Bible, but only in invoking the Bible’s help. That is exactly what we are doing when we re-read Genesis and the whole of the Old Testament, and the whole of culture, in the light of these few lines from the Prologue.”[27] The truth of the Bible is summed up in the new beginning proclaimed by John, in which all truth and meaning is “ready and waiting.” Bartlett observes, “with Girard there is a relation to a revelatory ‘other’ (God) hand-in-hand with the human other, but the dynamic is always disclosure. There is something coming from below, as it were, claiming the attention of human history.”[28]

Bartlett is building on his two previous books, Theology Beyond Metaphysics: Transformative Semiotics of René Girard and Signs of Change: The Bible’s Evolution of Nonviolence. In the former is Bartlett’s depiction of Girard’s theory of mimetic rivalry and the discovery of the scapegoating mechanism, as a necessary step in evolutionary development of language. The sign that arises around the scapegoat initiates entry into language, constituting an originary violence in the human condition. In both Love’s Entanglement and Theology Beyond Metaphysics, Bartlett assigns great weight to Martin Heidegger’s turn from traditional metaphysics to the “firsthand experience of ‘being.’” He explains, that “Heidegger’s intervention is a serious relativizing of core concepts of metaphysics, demonstrating – from the alternative perspective of being – that they are not eternally ‘given’ apart from a history of their conceptual production.”[29] Heidegger undermined the presumed “foundation” of metaphysics, and Derrida would continue in his “deconstruction,” and Girard builds on both. The twentieth century shook the foundations of Western thought and civilization (with two world wars). As Bartlett puts it, “What greater proof could you have of original violence than Hiroshima and Nagasaki? In which case it is even more pressing to discover a source of life ‘in the ruins,’ rather than imagine some kind of return to pre-modern metaphysical order that smiled complacently as all this grew to monstrous term.”[30]

Heidegger is a symbol of the Twentieth Century shift, upon which Girard builds. He served to prepare the ground for Girard’s work, but it was Heidegger’s purposeful failure to distinguish the Greek logos from the Johannine Logos, and in conjunction with this a second failure, to recognize that relation precedes being. “You cannot have ‘being’ without difference – the relation – which provides the opening or realization of being.”[31] Heidegger assigns a singular, Heraclitean meaning to logos, presuming the Christian Logos is more of the same, but a degraded form of the Greek logos. It is not a matter of violence versus nonviolence but a subordinating of Christian thought to Greek thought, with Christianity playing a subservient role to the Greek logos. What is to be noted in Heidegger, is that Greek “Logos brings together entities that are opposites, and it does not do so without violence.”[32] In Heidegger, there is no difference between the Johannine and the Heraclitean tradition (the original development of the Greek logos).

The Christian understanding is relegated to a continuation of Greek thought. Girard considers the contrast between the Greek and Christian Logos as definitive. Christ “interrupts” the Greek logos, it interrupts the grounding in mythology (the scapegoated and deified victim), and it displaces the grounding in violence, but for this very reason the Logos of Christ is cast out of human culture and religion: “The Johannine Logos is foreign to any kind of violence; it is therefore forever expelled, an absent Logos that never has had any direct, determining influence over human cultures.”[33] The incapacity to discern and apply the peace of Christ, as shown in Heidegger and the Western tradition, is pervasive.

To not recognize the violent foundations of language and the possibility of an alternative, or the difference between a Greek and Christian starting point, is to presume an originary violence, and to the degree that theology has girded itself with a Greek philosophical understanding it has a necessary violence at its origins, a charge Bartlett levels at the Thomistic understanding of God (along with Anselm or any theology which would employ Greek philosophical thought). It is a failure to recognize the change in the role of signs, or the profound basis for a new meaning introduced by Christ. It is not simply that Christ gives new meaning, on the basis of the sign system of language in which in semiotics, it is recognized that meaning arises through differences (differences in terms, such as “black and white,” or differences in sounds, or the living and dead body, etc.). The role of difference, of the cadaver, becomes fully accessible in the body of Christ, a living sign exposing the role of the deadly letter written on the grave. The cadaver played the role of a false or mythological “transcendental signified” and the living transcendental signified expose this lie. Christ demythologizes the sign, emptying the grave of its grounding significance. Mythology is a homage to the victim, but in the same sense language, as a repeatable sign system, arises through the clash of difference and the arising of a third element (the reification of death). Christ’s entry into sign making starts with the recognition that death is the ordering principle of a universe of opposed pairs. “It is a matter of turning around with the universe itself and facing the terrible violence of our origins . . . to relate again as if for the first time to the victims at its core. We are called to relate in nonviolence and forgiveness where before we related in blame and murder – because it is in this way that root relationship is both acknowledged and made good.”[34] Ultimate meaning is not grounded in the dead victim but the living Christ who has emptied the grave of its deceptive meaning.

Much of Bartlett’s work is given over to demonstrating Christ’s change of the meaning of signs, or more accurately Jesus bringing about a foundational shift as to how signs are constituted. The sign of Jonah (the scapegoat thrown overboard), taken up by Jesus, undoes signs built upon sacrifice and death, as there “is a deliberate manipulation of familiar biblical DNA to produce a remarkably new mutation.”[35] The sailors, more than Jonah, are sensitive to spilling innocent blood, and rather than the usual release from guilt with the death of the sacrifice (Jonah tossed overboard) their fear is not assuaged: “Then the men feared the LORD greatly, and they offered a sacrifice to the LORD and made vows (Jonah 1:16) like true Israelites (Ex 14:31). The sailors and all of Nineveh are more quickly changed than Jonah, who shows no sign of repentance. Rather than satisfy the Pharisaical demand for a sign, he indicates the only sign he would give is the sign of Jonah, who was thrown into the abyss and was then delivered (which is what they will do to Jesus). The sea is representative of the abyss, the chaos, that the scapegoat was meant to tame. Jesus confronts and overcomes the abyss in his death and resurrection, defeating the very impetus behind scapegoating religion.

Though John does not mention the sign of Jonah, he closely echoes the story (in 6:16-21), the explanation of which closes Bartlett’s book. The sea, often equated with chaos (and as in Daniel, the gods of violence and chaos), is where Jesus reveals his divinity, tying the ἐγώ εἰμι to his power over nature in calming the storm and walking on the water (as if we now see YHWH trampling down the waves (Job 9:8 and Ps 89:10) and offering the comfort of his presence in the storm (Gen 26:24; 46:3; Jer 1:8; 1:17; 26:28). “So, it is the same battle, against the violence of the deep, gained victoriously by the peace-bringing word and presence of Jesus.”[36] In the portrayal of the synoptics, the disciples panic in the storm while Jesus sleeps, and they double down on their rowing before waking Jesus, to save them from “perishing.” Much like Jonah is vomited by the great fish, Jesus and the disciples arrive suddenly at the distant shore of the Gadarenes where he encounters a horde of demons and sends them (back?) into the sea (Mark 5:1–20) and the demoniac becomes an evangelist to the Decapolis. Jesus defies the expectations of the Jews and even his disciples by saving the wrong people, like Jonah.

Connected to the walking on the water is the feeding of the five thousand, a proleptic Eucharistic event: “The dramatic entirety of the scene has to be taken into account: the journey accompanying Jesus to ‘a deserted place,’ the weariness and hunger, the complete bafflement of the disciples, and, of course, the mirror hints of the Roman military legion. This is a scene of a new creation, where a new humanity is separated out from generative violence, and it is the significance itself of the whole complex that carries the scene.”[37] The echoes of the escape from Egypt, the Passover, the miraculous manna, the crossing the Red Sea, and the deliverance from slavery. “The bread is the meaning of a new human way of life, one to be consumed for its own sake once its revolutionary semiotics is grasped”[38] which is made explicit in the Passover meal celebrated by Jesus and the disciples.

Theology and not chronology are the main point. In each of the Gospels Jesus takes liberties which may make this meal something of a “quasi-Passover.”[39] The time may be incorrect or inconsistent between the Gospels, but more importantly the meaning is shifted. The point is no longer warding off death through the firstborn. Death is no longer the fulcrum, sacrifice is no longer the mechanism, but the defeat of both in a higher meaning (of relationship). The elements of the meal are made to bear a depth of meaning, fusing together both the Passover and the day of atonement, connecting both to the reality accomplished in Christ (a shared body, a shared life). The bread is part of the Passover meal, but is made representative of Jesus broken body (on the order of the servant of Isaiah), and the wine is representative of his poured-out blood. Jesus commands them to drink the wine, now representative of the blood, but consumption of blood is prohibited in the Temple rite and in Judaism in general. The instruction is clear: “He gave it to them, saying, ‘Drink from it, all of you; for this is My blood of the covenant, which is poured out for many for forgiveness of sins’” (Matt 26:27–28). There is no mistaking that the symbol of poured-out blood is to be drunk, a sacrilege for Jews. “It was impossible that the blood be consumed, for the ‘life was in the blood’ and the life belonged to God alone.”[40] Which is the point; this is no longer a sacrifice. It is the pouring out and sharing of the life of God, not on the basis of death, but in its defeat in history. As Bartlett explains in the case of Mark, “The point for Mark surely is to not narrate a separate ‘spiritual’ body for Jesus on the other side of human life, but to place his triumph right in the middle of human reality and experience. This now is the ‘Kingdom of God come with power’ (9:1)!”[41]

Jesus is fusing the symbolism so as to make himself the center of what once was exclusive to Temple and Tabernacle (life will replace sacrifice and death). He is now the lamb sacrificed by our murder, and the disciples become the receptacles of his life, not simply life-blood spilled in death but taken up in new life. This is not a Jewish sacrifice, as in “the biblical tradition of sacrifice, it was imperative that the blood be separated from the body and spilt on the ground or at the altar” (Gen 9:4; Lev 17:10-14).[42] The Christians understand that there is a new meaning being worked out, which does not directly pertain to blood and sacrifice; even in the early Christian community the Jerusalem Council would continue to forbid consumption of blood (Acts 15:29). “By telling his disciples to drink a symbol of his blood Jesus was transgressing the central vector of sacrifice as it had been formulated in Jewish practice, and He was going against formal sacrificial practice generally. Indeed, he was turning sacrifice into something other than sacrifice!”[43] There is an “eruption of a completely new meaning in life, signified by the miraculous bread,” as the disciple is enabled by his Lord to also give his life, and not strike out in retaliation. The disciples were each to enter the jaws of death enabled by the body of Christ. “We know from Christian history that many individuals have done this, finding an abyss of strength within themselves to enter the jaws of violence without retaliation, and leaving behind an indelible witness in the same path and truth as Jesus himself.”[44]

Combined with his action in the Temple, in which he halted the sacrifices, Jesus has permanently overturned the Temple tables, so as to set another table with a completely different meaning and economy. God had always sought mercy rather than sacrifice: “For I desire steadfast love (or mercy) and not sacrifice, the knowledge of God rather than burnt offerings” (Ho 6:6). Jesus sees himself as accomplishing this reality: “But go and learn what this means: ‘I desire mercy, not sacrifice.’ For I have not come to call the righteous, but sinners” (Matt 9:13). This is not an economy of sacrifice or exchange but the fulfillment of mercy and love. Though only a minority of Christians may follow Jesus into a martyr’s death the meaning is there for the majority; “the meaning by which they shape their lives continues to eat away at the violent structures of actual historical humanity.”[45]

Blood per se is not violent but contains life, so spilling blood means a violent loss of life. “The blood contained absolutely no violence – on the contrary, it contained non-violence, which is positive forgiveness, peace, love. Only in that way would it be possible to drink and not feel the temple universe crashing down on you in outrage.”[46] To drink this blood is to take up the life of the one giving it, enfleshing the body, not through a continued destruction but through a recapitulated sort of body. To drink the blood, in this meaning, is to recover it from being spilled, as it is taken back into life. Jesus in recapitulating the Temple and its meaning focused on sacrifice, is removing the violence of sacrifice and replacing it with new life entailing the end of death (inclusive of violent sacrifice). “Thus, the ritual meaning of blood its elemental sign value – had been turned from the place where the violence of the group is poured away, removed as to become an inner agent that contains no violence and works proactively to transform into nonviolence and love. This is what it means to eat and drink the Eucharist. It is about as non-sacrificial as you can get.”[47] Though the Constantinian Church might return the meaning of the Eucharist to a sacrifice administered under its power and control, Bartlett ends his book with an appeal in regard to the meals significance: “the Eucharist will become not a badge and communication of official standing, but what it was always meant to be: an ongoing divine mimicry (imitation of signs) available to all human beings. What the Eucharist intends is to teach humans via a set of signs to be as totally nonviolent as God is.”[48]

The Temple recapitulated is clearly those who receive the life offered in Christ: “as living stones, being built up as a spiritual house for a holy priesthood, to offer up spiritual sacrifices acceptable to God through Jesus Christ” (I Pet 2:5). The command to “do this in Remembrance of me” (Luke 22:19) contains the same point, of living out this reality. The focus in Old Testament rites is on God remembering his people, but here Jesus changes the subject; it is his disciples remembering or recapitulating him. Remembering, in Bartlett’s explanation, pertains not to God’s remembering but to the transformation of humankind: “He took God’s act of fidelity – the full story of the Messiah – and held it out in remembrance, not in some heavenly space, but on a human table at the center of human concerns.”[49] Attached to this remembrance is a new sort of imagination, divinely inspired, taking up the body and mind of Christ. This double movement or “double revelation” simultaneously exposes the human violence (e.g., the shedding of blood, sacrifice) and from out of this exposure their erupts a new meaning in Christ (the giving of life in place of the taking of life).

For Bartlett, this is the Girardian synthesis, which Bartlett credits Benoît Chantre with helping to draw: “Chantre sums it up as Girard’s ‘fascinating and complex central thesis . . . it is the disruption of ancient mechanisms for containing violence, in their essential exhaustion, that the true face of man and the true face of God conjointly appear.”[50] The primacy of relation, coming face to face, is key. “The Girardian understanding can tell us that relation throughout the human cosmos is ultimately and thoroughly messianic.”[51] Human history is the story of a delivery, from out of violence and rivalry, into the realization of the fulness of relationship. “Relation is the hidden truth of existence that is more critical to existence than existential moods of anxiety, dread, or even the inevitability of death.”[52] The collapse of the sacred, a sacred constructed out of violence, reveals the individual and the possibility of relation, brought to its fulness in Christ. Sacrifice has lost its power and “it is Christ who finalizes that loss with the definitive revelation of a nonviolent god. . . . The gods of violence are demonetized by the announcement of a god of love; the machine has broken down, the expulsion no longer works.”[53] This is the power of the gospel as Girard originally recognized it and upon which Bartlett is building. God is the nonviolent relation that brings the world to peace.


[1] Anthony Bartlett, Love’s Entanglement: God as Nonviolent Relation and How That Brings the World to Peace (Eugene, Oregon: Cascade Books, 2026).

[2] René Girard, Things Hidden Since the Foundation of the World, trans., Stephen Bann & Michael Metteer (Stanford: Stanford University Press, 1987), 236. Cited in Love’s Entanglement, 151.

[3] Love’s Entanglement, 151.

[4] Love’s Entanglement, 151.

[5] Girard, One by Whom Scandal Comes, 43. Cited in Love’s Entanglement, 151-152.

[6] Love’s Entanglement, 152.

[7] Love’s Entanglement, 152.

[8] Love’s Entanglement, 152.

[9] Love’s Entanglement, 152.

[10] Love’s Entanglement, 153.

[11] Girard, Battling to the End, 47, 119, cited in Love’s Entanglement, 153.

[12] Things Hidden, 56. Cited in Love’s Entanglement, 154.

[13] Love’s Entanglement, 154.

[14] Love’s Entanglement, 154.

[15] Love’s Entanglement, 155.

[16] Things Hidden, 66, cited in Love’s Entanglement, 155.

[17] Love’s Entanglement, 155.

[18] Love’s Entanglement, 155.

[19] Love’s Entanglement, 156

[20] Kierkegaard, Sickness Unto Death, 13, cited in Love’s Entanglement, 21.

[21] Love’s Entanglement, 21.

[22] Love’s Entanglement, xxiii.

[23] Love’s Entanglement, xvii.

[24] Love’s Entanglement, xvii

[25] Things Hidden, 275.

[26] Things Hidden, 275.

[27] Things Hidden, 276.

[28] Love’s Entanglement, xxiv-xxv.

[29] Love’s Entanglement, 67.

[30] Love’s Entanglement, 67,

[31] Love’s Entanglement, xxiv.

[32]Things Hidden, 265.

[33] Things Hidden, 271.

[34] Love’s Entanglement, 135.

[35] Anthony Bartlett, Signs of Change: The Bible’s Evolution of Nonviolence (Eugene, Oregon: Cascade Books, 2022) 126.

[36] Love’s Entanglement, 170.

[37] Love’s Entanglement, 170.

[38] Love’s Entanglement, 170..

[39] Signs of Change, 168.

[40]  Signs of Change, 171.

[41] Love’s Entanglement, 176.

[42] Signs of Change, 170-171.

[43] Signs of Change, 171.

[44] Love’s Entanglement, 177.

[45] Love’s Entanglement. 177.

[46] Signs of Change, 171.

[47] Signs of Change, 171.

[48] Love’s Entanglement, 203.

[49] Signs of Change, 172.

[50] Benoît Chantre, The Time Has Grown Short: René Girard, or the Last Law, Tran. By Trevor Cribben Merrill, (East Lansing: Michigan State University Press, 2022), xi. Cited in Bartlett, Love’s Entanglement, xxvi.

[51] Love’s Entanglement, xxvii.

[52] Love’s Entanglement, xxvii.

[53] Things Hidden, 55-56, cited in Love’s Entanglement, 154.


Appreciating the Similarities and Differences Between William Desmond and René Girard

René Girard’s theory is a complete repudiation of the metaphysical project, connected as it is to an inherent violence, while William Desmond sees metaphysics as “a living option.”[1] There are levels of agreement between Desmond and Girard, in their assessment of the value of Nietzsche and Heidegger, and their portrayal of a “despairing” way toward God, and it is no huge task to touch on some of these agreements (as I do below), but it may be necessary to also bring out the differences, so as to emphasize the strength of each. Girard draws out the absolute difference between Christ the Logos and the human logos, recognizing that the reification and attachment to the word or language per se stands over and against the divine Word. The lie and the violence of the satan are completely opposed by Christ. Desmond does not so much disagree with the critique of metaphysics, provided by Girard and others, but this is not the end of the story for him. In fact, his theory might be seen as giving priority to a Word, before the word, which accounts for human failure and its movements within a larger ontological frame. 

Girard Against Metaphysics

Girard recounts and agrees with Martin Heidegger’s tracing of Greek metaphysics into an originary violence, locating essential being (phusis) in logos, and raises the question as to how this unfolds into being (see my blog here). “Humanity is violence-doing not in addition to and aside from other qualities but solely in the sense that from the ground up and in its doing violence, it uses violence against the over-whelming.”[2] Girard explains how and why the pursuit of being, the metaphysical enterprise, is violent. Human being and speaking, along with any theology or philosophy that has girded itself with the Greek philosophical understanding, has a hidden and necessary violence at its origins. This is the charge Anthony Bartlett, a contemporary Girardian, levels at the Thomistic understanding of God (along with Anselm or any theology which would employ Greek philosophical thought). As first cause of everything (being), according to Bartlett, “God here reinforces a hierarchical order of origin, authority, and, necessary, violence.”[3]

In Bartlett’s recounting of the story, the theory of Ferdinand de Saussure, Jacques Derrida, Martin Heidegger, and John Deely, converge on the notion that “being,” which cannot be posited apart from its apprehension in language, already contains the antagonistic otherness of the sign (see here and here) . There is no being apart from its sign, and the sign contains or sets forth meaning in its separateness from the biological world. Both being and the sign refer to an extended, infinite, otherness. “The world itself is the ‘other,’ rendered present in a sign, yet strange, infinite, congenitally open itself, by virtue of the mysterious, ‘nihilating’ event of the sacred.”[4] In Girard’s terms, the original murder is hidden in the sign as that which is negated, and this compelling emptiness or otherness requires another sign, so that the signifying chain covers over the original absence (murder), as in Derrida’s “deferral” of meaning (to define one word requires a multiplicity of words – ad infinitum), or Heidegger’s and Hegel’s nothingness (the other over and against which all else, something, derives its meaning). To imagine God on the basis of the sign of being is to project violent mimetic desire and sacrifice onto God. There is no possibility for a Christian to think of God rightly, according to Girard, through a metaphysical understanding.

Desmond’s Reworking of Metaphysics

Desmond defines his entire project as the development of metaphysics: “Being and the Between asks: What does it mean to be? Ethics and the Between asks: What does it mean to be good? God and the Between asks: What does it mean to be divine or God? As the metaphysics of the first work points further to the ethical philosophy of the second, God and the Between represents the philosophy of God continuous with both the metaphysics of the first work and ethics of the second.”[5] Desmond is not unaware of the Girardian critique and is intimately familiar with the postmodern critique of metaphysics, but his is a reworking and perhaps a redefinition of this philosophical and theological enterprise. Chris Simpson summarizes the different approach Desmond takes:

For Desmond, metaphysics is not in the business of providing the assurances of a pure access to reality—it entails perplexity, disquiet, struggle, strain and failure. Metaxological metaphysics is a discourse of and in the middle—it does not overestimate its grasp by envisioning an escape from the middle to gain a view from nowhere. Instead of nailing things down, metaphysics is an attending to astonishment and perplexities that rupture and constitute a breakdown—a self debunking—of thought’s claims of self-sufficiency and absolute self-certain knowing. Metaphysics is an “interpretive fidelity” to and a mindfulness of the emergent happenings in the middle, the between—to the “finite facts” on the surface of life—a being attentive to the community of being’s plurality of others in interrelation.[6]

This is not the metaphysics which presided prior to the Girardian and postmodern critique, but it is a reworked and reevaluated understanding that accords with that critique.

The Theological Import of Metaphysics

Karl Barth’s notion that “the analogia entis (the analogy of being) is the invention of the antichrist,” may be inaccurate in the details but also an apt description of the metaphysical pursuit as it actually unfolded. Barth was surveying the consequences of metaphysics in Nazi Germany, and had a sharp appreciation for the difference between the human logos and the divine Logos as the mediating reality. Add to Barth’s understanding the Girardian insight, and it becomes clear why a certain naïve understanding of metaphysics can be literally assigned to the satan (the scandalan, in Girard’s explanation). In a Girardian explanation, entry into language is through the scapegoating mechanism (a lying violence), so to imagine that Christ can be understood as aligning with or analogous to human religion, philosophy, or culture, would mean, as Heidegger recognized and agreed, that the Logos of Christ is in servitude to the human logos.

Heidegger chooses Hitler over Christ because he understood the human logos, as portrayed by Heraclitus is the by-product of war and violence. According to Girard, “Heidegger obviously means there to be a difference between the violence of the Greek Logos and the violence he attributes to the Johannine Logos. He sees the former as a violence committed by free men, while the second is a violence visited upon slaves.”[7] As I have previously explained (here), it is not a matter of violence versus nonviolence but a subordinating of Christian thought to Greek thought, with Christianity playing a subservient role (“the violence visited upon slaves”) to the Greek Logos. What is to be noted in Heidegger, is that Greek “Logos brings together entities that are opposites, and it does not do so without violence.”[8] In the end, according to Girard’s reading of Heidegger, there is no difference between the Johannine and the Heraclitean tradition other than the Johannine Logos is subservient to and a development of the Greek understanding.

Heidegger is a sophisticated reader of metaphysical development, recognizing in his historical and philosophical analysis what Girard would uncover in his anthropological and literary analysis. In his examination of being, Heidegger concludes that the primary recognition in Dasein of “being there” is that language precedes or speaks the human, meaning the provenance of language is determinant of its speakers. “Language speaks” and this being in language is primary.[9] What is shown in language is a “relatedness backward or forward.”[10] Metaphysics is letting this being in language show itself, and what it shows is the implication of language in violence and death. To not take this history into account, to not assign a specific role, as Girard does, to Christ uncovering of this violent logos, is in danger of mistaking the devil for God. This form of the analogia entis is indeed, of the antichrist. The postmodern critique of metaphysics is not only deserved but necessary, but is it possible that the problem is not in metaphysics per se? Is there a taking into account the Girardian and postmodern critique, simultaneously incorporating metaphysical failure, into a more holistic understanding?

Desmond’s Philosophical Theology

Desmond is not working from a Girardian form of Christocentrism, in which Christ alone uncovers the violence of the scapegoat, but he does see the Christian task as one of uncovering counterfeits or doubles which parody or counterfeit the God-man (on a broader scale), but these counterfeits are subtly interwoven with the human circumstance. It is not that human desire is the origin of this circumstance, but its perversion and misconstrual. Through a close reading of Hegel and Nietzsche he demonstrates how in our self-antagonism we project our image onto God. “God as our own beyond is the source of the devaluation of the earth and ourselves.”[11] This God needs to be displaced, if true humanity is to be recovered, but this can also be described as part of the metaphysical task. Desmond takes account of the failure of a form of metaphysics and aims to point out the goodness of being and the wonder of creation. A failed metaphysics would evacuate the world of wonder, but Desmond seeks to show why this is a stunted form of reality. Man may be fallen, evil may be present, but this is not the primary reality of being. There is a “too-muchness” to being that needs to be allowed for. “Rather we begin to ‘know’ the absolute, in a knowing that does not know, just when we understand that there is nothing more necessary for philosophy than that it should just so go beyond itself, without immanent reserve, without reserving the divine for its own immanence – in an agapeic exceeding of mindfulness beyond thought thinking itself.”[12] There must be a thinking out of philosophy in light of faith, rather than an abandonment of either faith or philosophy, and Desmond sees his work as renewing entry into this key crossing.

Desmond wants to put religion and philosophy into dialogue, opening up the possibility of a renewed speculative theology and philosophy. To close up philosophical shop due to its failure, is to give way to an immanent frame, but Desmond seeks a renewal of thinking and openly acknowledges his theological indebtedness. “There is a porosity between religion and philosophy, not a rigid separation, and communications can carry or be received from both sides. . . . We find vigor for it because we are first invigorated. The promise of being religious is recurrently resurrected because it is constitutive of what we are, what we are given to be, and what we are to be.”[13]

The Convergence of Girard and Desmond

As Ryan Duns explains, Desmond and Girard are on a parallel path, offering a despairing way to God: “we learn to discern within faith’s ‘withdrawing roar’ not God’s absence but a gathering silence testifying to God’s presence.”[14] Desmond’s metaxological metaphysics acknowledges God’s presence, even in the dialectical drive to univocity through equivocity. That is, he is completing or building upon the Hegelian project: “the metaxological sense is an Aufhebung of the other three senses, preserving the truth of each way as it attempts to give a fuller account of what it means ‘to be.’”[15] As I previously summed it up (here), Desmond’s four ways might be read as the passage from fall to redemption in which the human failure is the attempt to be their own origin (univocity) through an implicit and denied plurality or difference (equivocity), and this fall into metaphysical striving (dialectics) is the common human passage toward realizing the fulness of personhood (in the metaxological).

In Pauline terms, the law is simultaneously necessary and it is necessary that its punishing effects be suspended (Aufhebung). There is something necessary in the passage from the first Adam to the Second, with the first not simply a negation but providing for recognition of Christ. In a Girardian sense, language may only be acquired through the deception of the scapegoat, but this logos establishes recognition of the Logos that is Christ. For Desmond, metaphysics (of the metaxological kind) is necessary to describe “the ontological stage on which life’s play unfolds.”[16] There is a “primal ethos” which is given through creation and then the “reconfigured” shaping of that ethos or givenness. “In every era, however, we exert ourselves as we mold and shape our ethos. The resultant “reconfigured ethos” describes how the effects of our self-assertion either remain true to the primal ethos or distort it.”[17]

Desmond is attuned to the subtleties of this reshaping – in the modern reconfiguration there is a “devaluing objectification of being” and “subjectification of value.”[18] The interplay of the ethos of the age and philosophy converge in the emptying out of being, evacuating its value and astonishing goodness. In both Girard and Desmond, the emptying out is itself a revelation. “The nihil’s purgation clears the cataracts from our eyes and we behold not an alternative reality but reality alternatively, as replete with God’s presence. We encounter the divine not by being freed from the finite (Plato and Aurelius) but by glimpsing the infinite disclosed within it.”[19] Girard’s theory is a counsel in despair, pointing to the singular revelation of Christ, but Desmond’s may be an even broader despair but also a pointer to all of creation illuminated by God’s goodness and grandeur.

Before one did not see, but now one begins to see; begins to see because a light that one cannot command is coming up and coming over one. One is being lighted; one is not enlightened, one is being enlightened. We are recipients of something that we cannot entirely specify or pin down. It stuns us into silence. The seeds of a metanoetics are being sown. A new noesis: a new mindfulness that does not know what it knows, and yet it knows that the same things will no longer be the same.[20]

An Appreciation of the Difference Between Desmond and Girard

It is not that this broad enlightenment is absent from Girard, in his exposure of myth and the uncovering of sacrificial violence, but Desmond shows how even failure is temporary and points beyond itself, while the Girardian appreciation of the Gospel shows how the world is disfigured by sacrificial violence and how it can be delivered through gospel peace. Strangely, my own work might seem to favor the focus on Girardian deception, the lie that is at the heart of violent culture and religion, which is a necessary lie for Jacques Lacan and Slavoj Žižek, but before the lie there must be the truth. Girard brings out the sharp distinction between the human logos and the divine Word, showing how the human error is to reify and absolutize this word, while Desmond seems to emphasize that what precedes and accounts for the human logos is the Divine Logos. The distinction between the two may not be as sharp in Desmond, but Desmond’s work calls upon this resource of the Word, beyond being and beyond knowing, providing for both fall and redemption.


[1] William Desmond, God and the Between (Malden, MA: Blackwell Publishing, 2008) xi.

[2] Martin Heidegger, Introduction to Metaphysics (New Haven: Yale University Press, 2000), 160.

[3] Anthony Bartlett, Theology Beyond Metaphysics: Transformative Semiotics of René Girard (Cascade Books, 2020) 91.

[4] Bartlett, 97.

[5] God and the Between, xi.

[6] Christopher Ben Simpson, Divine Hyperbolics: Desmond, Religion, Metaphysics and the Postmodern (Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy January 2008) 108.

[7] René Girard, Things Hidden Since the Foundation of the World, trans., Stephen Bann & Michael Metteer (Stanford: Stanford University Press, 1987), 266.

[8] Things Hidden, 265.

[9] Martin Heidegger, Being and Time, trans., John Macquarrie & Edward Robinson (Oxford: Blackwell, 1962) 28.

[10] Martin Heidegger, Poetry, Language, and Thought, trans., Albert Hofstadter (New York: Harper Collins, 1971), 207

[11] William Desmond, Is There a Sabbath for Thought? Between Religion and Philosophy (New York: Fordham  University Press, 2005) 203.

[12] God and the Between, xii.

[13] God and the Between, xii.

[14] Ryan Duns, “’In Despair, Despair Not’ : Ways to God for a Secular Age” in Theological Studies (2020, Vol. 81(2) 348 –369) 350.

[15] Duns, 352.

[16] Duns, 352.

[17] Duns, 352.

[18] William Desmond, Ethics and the Between (Albany, NY: SUNY Press, 2001), 41 Cited in Duns,

[19] Duns, 355.

[20] William Desmond, “Godsends: On the Surprise of Revelation,” Ephemerides Theologiae Lovanienses 92, no. 1 (2016): 7–28 at 28. Cited in Duns, 366.

The Return to Metaphysics: William Desmond’s Deployment of Hegel to Answer the Postmodern Critique of Metaphysics

One of the most profound and insightful contemporary readings of the work of G.W.F. Hegel is that of William Desmond, who carries out a prolonged critique of Hegel, but Desmond’s critique is subsequent to a deep appreciation of Hegel, which will come to shape much of his work. To understand Desmond’s view of the failure of the postmodern critique of metaphysics (inclusive of Hegel) and his return to metaphysics, it is necessary to examine his earlier work in which he explains how deconstruction and “postmodernism” have misinterpreted Hegel. Even recently, when I raised the issue of deconstruction, Desmond pointed me to his early work on Hegel’s aesthetics to understand his take on deconstruction and the failure of Friedrich Nietzsche, Jacques Derrida and Martin Heidegger, who short-change Hegel.[1] They, along with a variety of their heirs, critique a kind of metaphysics, but fail to recognize Hegel preceded them in this critique, and that a full reading of Hegel indicates the metaphysics Desmond would recover.

In his work on Hegel’s aesthetics, Desmond undertakes exposure of the Nietzschean-Heideggerian legacy, working in the one-sided “anti-shadow” (negativity) of Hegel, so as to delineate both links and departures from Hegel, and then to show how Hegel’s dialectic can serve “as a fruitful foil to deconstruction.”[2] Desmond argues Hegel’s dialectic is based upon the resource of an original wholeness, which allows for the dynamic complexity appreciated by deconstruction, but which it would dissolve, not having understood its necessity. The Absolute (God) is written off: to “long for any such road is to be guilty of ‘nostalgia’ for metaphysics.”[3] This leaves only the absolute of deconstruction; “the absolute aimed at subverting all absolutes,” which fails to deal with the “intricacies in Hegel’s texts” and the necessary wholeness implicit to his dialectics.[4] Hegel’s affirmation “that the true is the whole” is at once basic to his philosophy and aesthetics. It is the necessary “teleological thrust” to his dialectics, enabling the “wholeness” of articulation. He is resisting the deconstruction of his day; “the forces of a dissolving negativity” which he “recognized as a mark of modern culture generally.”[5]

As Desmond puts it, “We can see here the shift wrought by this negative dialectics as first from God to man, and then from man to language itself as the cunning, indeterminable power that eventually mocks all simple human pieties.”[6] This shift of the modern consciousness, the secular negation of God supposedly allowing for self-determination, gives way to absolute indeterminacy. That is the “death of man” follows hard upon the heels of “the death of God.”  The initial liberation (the “horizon wiped clean”) will ultimately leave only agonistic destruction. Desmond notes, those uneasy with this conclusion, but acknowledging deconstruction, have offered no counter-theory (the point of his project). For Desmond there are no partial measures against loss of the whole (the complete destruction of metaphysics). “Better to put Satan behind one, than to sup with this devil, however long one’s spoon. The command to Satan, however, does not seem to carry much efficacy. This Satan is not a docile boy.”[7] To partake of the fruit of deconstruction, without succumbing to absolute negation, involves a deep engagement with the complexities of Hegel.

Desmond first notes, Hegel precedes Nietzsche in his pronouncement of the philosophical failure, the “death of God, in his depiction of the “Unhappy Consciousness.” The question is, how to respond to this desolation, without simply surrendering to it. Desmond points to Hegel’s defense of the wholeness of art, extrapolating to and from an original wholeness. Nietzsche was not originally unappreciative of this unifying wholeness. He saw both the Dionysian (representing chaos, emotion, passion and creativity) and the Apollonian principle (symbolizing order, reason, logic, structure and clarity) as balanced in art and life, but then the Dionysian comes to predominance in his Will to Power. Nietzsche characterized life’s antagonisms as boiling down to Homer versus Plato, art versus metaphysics, the substitution of an eternal other world (a world of pure Being, the forms, the ideas) for the world of poetry, art, and becoming. The dead world of stasis displaces the living world of Becoming and beauty. Platonism is nihilism, negating the wealth of a living reality for a dead univocity.[8]

The forms, in their dead stasis, must be dismantled so as to recover life in its “Innocence of Becoming.” Like a child, becoming is diverse, disunited, dynamic, but in Nietzsche’s estimate time must be privileged over eternity, the creative must begin with deconstructing illusions of soul, eternality, and permanence. Fixed forms need exploding. “I am not a man; I am dynamite.”[9] Cold logic has displaced the warmth of art, poetry and myth, in all of their diversity. They are traded for the illusion of a univocal language (Logos), a contradiction free, rule-bound structure. Nietzsche would explode this “logical ideal.” For man to be born, God must die, so that poetry displaces the heavy burden of this divine simplicity. As Desmond explains, univocal language is an impoverished version of a more primordial utterance. “If we can adapt the title of one of Nietzsche’s works, we need a Genealogy of Logic which will restore language from its deformation by the logic of univocity.”[10]

Martin Heidegger’s critique of metaphysics is that it smuggles in God in philosophical terms, such that the deity is controlled by the terms of philosophy. The God of metaphysics is not one that freely bursts on the scene in the Burning Bush or arrives as the God/man, but his work is determined by philosophical logic, serving as the ontotheological glue and ultimate cause. This determinant way to God stresses sameness, an unmediated objectification and an absolute univocity.[11] Heidegger develops Nietzschean themes, accusing the west of being “logocentric” or “onto-theological” and thus there is a “forgetting of Being” or a forgetting of the source of truth. The metaphysics causing this obscuring must be destroyed, to arrive at the truth of “being here.”

According to Heidegger, language must be reconceived. “Man does not think through language, but language thinks with and through man.” Language means more than is intended and more than can be interpreted. “As Derrida puts it: the field of language lacks a center; rather language is defined by a free play of substitutions.”[12] Heidegger and Derrida consider Hegel one of the main culprits, in his drive to systematize and cognize God. Isn’t Hegel responsible for attempting to complete western metaphysics, and doesn’t he claim as much? “The real is the rational, the rational is the real.” The “Logic of Being” in his “Absolute Idea,” sounds like a compounding of Plato, an “absolutization of the Apollonian imperative.”[13] Hegel is accused of “grasping meaning” and deconstruction would disillusion the reader of this “naïve faith”; only partial, incomplete, or contradictory readings are possible. Logocentrism and univocity must be exposed and unsettled through the equivocal, through the multiplicity of meanings, and through contradictory meanings. “Difference, sheer difference, or multiplicity without an enjoining unity, is the keynote of this world. In this case the sheer difference means the reduction of univocity to the equivocal.”[14] The point of deconstruction is to show that equivocity is inherent to language.

Desmond counters this reading of Hegel (as the last metaphysician) with a more complicated picture. He notes that Hegel’s dialectic already contained themes picked up by the deconstructionists. Afterall, dialectics entails conflict: “antinomies,” “antithesis,” “opposition,” are part of Hegel’s equivocal. In addition, dialectic is descriptive of “linguistic acts” which pertain not simply to thinking or the “logical” but to Being or the “ontological” as it is connected to “Becoming.” These are themes in Hegel, absorbed by Nietzsche, but for Hegel this dynamism is not simply a formless flux, but is in the process of forming and structuring (both the Dionysian process and the Apollonian form). The one is necessary to the other, and neither can exist in isolation.

Hegel recognizes equivocity and univocity are inherent to language. The real is in process and cannot be frozen, but this process is not given over to absolute difference. Verstand (Understanding) abstracts from the flux so as to differentiate but this is not a final abstraction or a rigid separation. Verstand embraces antinomies, allowing for the return of the equivocal. “For through univocity the analytical understanding tries to conquer a given equivocation; but its conquering categories are themselves conquered by equivocation on the other side of established univocity. Dialectic, for Hegel, simply follows the flow of this development by which an initial unity, seemingly simple and hard set, breaks itself up into polarities, contradictions, antitheses, oppositions.”[15] We must tarry with the negative, stare it in the face. But this is not an end, but the opening to a fuller consciousness. “Each configuration (Gestalt) of consciousness disfigures itself, each form deforms itself, every construction deconstructs itself under the relentless power of the ‘negative.’”[16]

As with deconstruction, thinking wars against itself, generating contradiction and driving itself to a greater fulness and creativity. Hegel likewise uses the language of “negativity” and skepticism as essential to authentic thought. All absolute fixity fails and dissolves. But this is a generative process which touches upon reality and deconstructs partiality. Thus, Hegel turns to the peculiar properties of the German language, in its ability to capture this unfolding dynamic. “Richer language, language which contains a whole world within itself, a world inclusive of opposites, is required. The dialectical language of Hegel’s own philosophical discourse is his effort to live up to this requirement.”[17] As Desmond concludes, “negativity does not completely exhaust the process of articulation, but rather is itself completed by its balancing power. At the heart of the ‘negative’ we must affirm a positive.”[18] There cannot be pure dissolution or negativity, as the positive makes dissolving possible. The negative “makes the release of the positive power” which cannot be reduced to the negative. “For Hegel, after deconstruction, dialectic opens up to a moment of reconstitution.”[19]

This is the point of Hegel’s Aufhebung: something is suspended as we transcend what is simultaneously suspended and preserved. This suspension involves negation, transcendence, and preservation, as thought moves beyond the limitations of that which is suspended. But the suspended is not simply destroyed, but is recognized as a limitation, beyond which is a fuller realization. The suspended element marks the standpoint from which one is liberated. “In more popular terms, terms which Hegel himself did not employ, the breakdown of the thesis and its simplicity by its antithesis points further again to the synthesis of these two previous antagonists.”[20]

This “more embracing synthesis” is not simply deconstruction, though it involves the breakdown of univocity, while pointing to the possibility of opposites being held together in a more unified meaning. “Equivocal difference dissolves univocal unity, but for this ‘dialectical identity’ there is a reintegration of these differences beyond sheer equivocation. We are capable of thinking of the ‘togetherness’ of these differences, of embracing a unity of opposites.”[21] Dialectical unity embraces the equivocal, dissolving power, so as to “go positively beyond” negation. “That is, there is a complex unity, a dialectical identity which embraces both univocal unity and equivocal differences. This unity is absolute because it is absolving, freeing, not just dissolving.”[22] There is a reconstructing with Hegel, allowing for further developments involving the reality of limited articulations and understandings. Things are not simply disintegrated, but reintegrated which accounts for continued density and value, aimed at increased understanding and fulness. The original impetus and energy are not completely spent. “Through the process of dialectical formation the original dynamism is shaped and set forth into its different stages and gathered together into a rich whole.”[23]

The negative and absent are only realized out of an originary appreciation of wholeness. This wholeness may not be reducible to total comprehension but it points to the pleroma, an overflowing Being. Where deconstruction will not allow for synthesis, Hegel’s dialectic presumes this synthesis precedes and comes after suspicion. “Dialectic . . . allows the strain toward dissolution in every synthesis, but the given experience of the synthesis indicates that contraries are already contained within this original unity.”[24] The very possibility for art or understanding presumes an original beauty and understanding which does not simply end in dualism, irreconcilable opposition, or equivocation. Dialectic simply traces movement in and through this possibility of something more.

This reappreciation of Hegel allows for a new understanding of wholeness, not as a univocal and closed system, but as a complex and ever unfolding formation. The accusation of Hegel’s “closure,” Desmond argues is oversimplified by the deconstructionists. One cannot leap over Desmond’s appreciation of Hegel, as out of this deep engagement springs Desmond’s passage beyond, but through, Hegelian dialectics. Desmond does not leave us with an isolated equivocation or univocity but returns us to metaphysics, having appreciated the metaxological toward which Hegel, however inadequately and incompletely, pointed him. Desmond clearly has found in Hegel, inspiration for his life’s work in developing this metaxological understanding.

(Sign up for “Do Not Let Your Hearts Be Troubled: Perspectives on Peace”: This class, with Ethan Vander Leek, examines “peace” from various perspectives: Biblical, theological, philosophical, and inter-religious. Go to https://pbi.forgingploughshares.org/offerings.)


[1] William Desmond, “Dialectic, Art and the Absolute: A Study of Hegel’s Aesthetics (Albany: State University of New York Press, 1986).

[2] Hegel’s Aesthetics, 83.

[3] Hegel’s Aesthetics, 79.

[4] Hegel’s Aesthetics, 80.

[5] Hegel’s Aesthetics, 81. Indeed, the continued “cutting edge” “deconstruction of faith” is still working the Hegelian negative, not as Hegel intended (for its power to positively determine) but simply to reveal final indeterminacy.  

[6] Hegel’s Aesthetics, 81.

[7] Hegel’s Aesthetics, 82.

[8] Hegel’s Aesthetics, 84-85.

[9] Hegel’s Aesthetics, 85.

[10] Hegel’s Aesthetics, 86.

[11] William Desmond, Being Between: Conditions of Irish Thought (Galway: Arlen House, 2008) 317.

[12] Hegel’s Aesthetics, 88.

[13] Hegel’s Aesthetics, 87.

[14] Hegel’s Aesthetics, 90.

[15] Hegel’s Aesthetics, 93.

[16] Hegel’s Aesthetics, 94.

[17] Hegel’s Aesthetics, 94.

[18] Hegel’s Aesthetics, 95.

[19] Hegel’s Aesthetics, 95.

[20] Hegel’s Aesthetics, 95.

[21] Hegel’s Aesthetics, 95.

[22] Hegel’s Aesthetics, 96.

[23] Hegel’s Aesthetics, 96.

[24] Hegel’s Aesthetics, 98.

The Greek Logos Versus Jesus as Logos: Anthony Bartlett’s Completion of the Girardian Philosophical Project

It is not simply that Christ offers a new meaning, built on the same foundation as human religion, philosophy, or culture. There is the exposure of the violent origins of human language (e.g., as in the history of the Greek logos) and the setting forth of a peaceable alternative (Christ as Logos). The thinker who brings this out most concretely is René Girard, but the contemporary thinker who has completed the work of Girard, in his philosophical implications and expression, is Anthony Bartlett. Bartlett (who is now teaching a class with Ploughshares Bible Institute) tells the story of presenting his findings in a seminar, in which Girard was in attendance. Girard responded after the presentation, “Very impressive,” but immediately left. His singular genius in textual hermeneutics, seemingly left him uncomfortable to engage in discussion of its philosophical implications.[1] Bartlett however, through a close reading of Martin Heidegger (who plays the role of summing up the Western philosophical tradition and who fails in his attempt to escape metaphysics and violence) picks up where Girard left off.  

Why Heidegger Fails to Discern the Johannine Logos

Girard notes both Heidegger’s tracing of the Greek logos into an originary violence and its contrast with the Johannine Logos, but Heidegger does not draw out this difference as violence opposed to nonviolence but as a difference of violence. According to Girard, “Heidegger obviously means there to be a difference between the violence of the Greek Logos and the violence he attributes to the Johannine Logos. He sees the former as a violence committed by free men, while the second is a violence visited upon slaves.”[2] It is not a matter of violence versus nonviolence but a subordinating of Christian thought to Greek thought, with Christianity playing a subservient role (“the violence visited upon slaves”) to the Greek Logos. What is to be noted in Heidegger, is that Greek “Logos brings together entities that are opposites, and it does not do so without violence.”[3] In the end, according to Girard’s reading of Heidegger, there is no difference between the Johannine and the Heraclitean tradition (the original development of the Greek logos).

There is an incapacity to distinguish, and thus the Christian understanding is relegated to a continuation of Greek thought, but Girard considers the contrast between the Greek and Christian Logos as definitive. Christ “interrupts” the Greek logos, it interrupts the grounding in mythology (the scapegoated and deified victim), and it displaces the grounding in violence, but for this very reason the Logos of Christ is cast out of human culture and religion: “The Johannine Logos is foreign to any kind of violence; it is therefore forever expelled, an absent Logos that never has had any direct, determining influence over human cultures.”[4] The incapacity to discern and apply the peace of Christ, as shown in Heidegger and the Western tradition, is pervasive.

Part of this incapacity is explained by Heidegger’s starting point in Being and Time, which is a philosophical articulation of the sense that things are the way they are, and this reality is the necessity within which we work. The primary thing is that man speaks or dwells in language, which does not mean Heidegger’s goal is an intellectual or propositional explanation. “Being there” (Dasein) is the given presupposition and determination, such that one can “take a look” at the meaning of Being, but the point is not to arrive at some “axiom from which a sequence of propositions is deductively derived. It is quite impossible for there to be any ‘circular argument’ in formulating the question about the meaning of Being; for in answering this question, the issue is not one of grounding something by such a derivation; it is rather one of laying bare the grounds for it and exhibiting them.”[5]

As Heidegger puts it elsewhere, “Language speaks”[6] and so too the ground of Being reveals, but there is no penetrating this fact. Rather, what is shown in language is a “relatedness backward or forward”[7] and the question is to spell out the nature of this relatedness. “The speech of mortals rests in its relation to the speaking of language.”[8] The capacity for difference is drawn together in language. “Man speaks in that he responds to language. This responding is a hearing.”[9] He finds himself in language, and this is the primary fact about him, which cannot be penetrated but must be allowed to make itself manifest. (Thus poetry is the truest and highest art form, in that it allows language to speak.) Human speech locates Dasein not so much in what is said but in the speaking, in the relatedness to language. Heidegger reifies language as the essential relation shaping human reality and he does not presume to go beneath or above this speaking.

Thus, Heidegger presumes Heraclitus, the pre-Socratic Greek thinker who first develops the history of logos, in his view that “war is the father of all,” has hit upon the origin of logos. Referencing Heraclitus he concludes, violence (German, Gewalt) or war (Polemos) is synonymous with the logos; it is the transformative and creative center. “Confrontation” is the “sire” of all that comes to presence. The gods, humans, slaves and free, arise through “strife” (polemos), as this opposition is what first allows hierarchy, status, discreteness, intervals, and distances. “Confrontation does not divide unity, much less destroy it. It builds unity; it is the gathering (logos). Polemos and logos are the same.”[10] As he says later, “Who the human being is, according to the word of Heraclitus, first comes forth (edeixe, shows itself) in the polemos, in the disjunction of gods and human beings, in the happening of the irruption of Being itself.”[11] Heidegger locates entry into Dasein with “deinon,” designating one who is “violence-doing, insofar as using violence is the basic trait not just of his doing but of his Dasein.”[12] Heidegger, who fully embraced and never repudiated the Nazi project, sees violence as the creative center from which meaning arises.

In short, humans come into being (Dasein) through the violence of logos. Heidegger locates essential being (phusis) in logos, and raises the question as to how this unfolds into being. “Humanity is violence-doing not in addition to and aside from other qualities but solely in the sense that from the ground up and in its doing violence, it uses violence against the over-whelming.”[13] The human comes into being as what is distinguishable (out of the indistinguishable) through the emergence of opposition in logos, which brings one thing into presence against the other.[14] Logos is this gathering together, the original differentiating, which marks Dasein.

The Differentiation Proposed by Girard

Heidegger recognized and commended the inherent violence of the logos and of Western thought,while for Girard human meaning has violent, irrational, origins in the scapegoat mechanism but Christ poses an alternative meaning system escaping violent origins. Girard agrees with Heidegger in his focus on myth, his picture of an originary human violence, and the presumption that language, writing, or the oracular contains a hidden truth. Heidegger is right about something concealed in language but the “un-concealing” is only possible through the revelation of Christ: “I propose that if today we are capable of breaking down and analyzing cultural mechanisms, it is because of the indirect and unperceived but formidably constraining influence of the Judeo-Christian Scriptures.”[15]

The Logos of the Prologue to John, and the whole Bible must be re-read “in a genuinely Christological light, we must recognize the Word of truth to be the true knowledge of the victim, continually eluded and rejected by mankind.”[16] Genesis portrays God expelling the first couple from his presence, and then Cain slays Abel and establishes the first city, while “in the Prologue to John it is mankind who expels God.” The God who inflicts violence is replaced with “the God that only suffers violence, the Logos that is expelled.”[17] This Logos that has been cast out by his own and by the world, is the rejected truth (with the rejection signaling the nature of this truth). “Pascal writes somewhere that it is permissible to correct the Bible, but only in invoking the Bible’s help. That is exactly what we are doing when we re-read Genesis and the whole of the Old Testament, and the whole of culture, in the light of these few lines from the Prologue.”[18] The truth of the Bible is summed up in the new beginning proclaimed by John, in which all truth and meaning is “ready and waiting.”

Bartlett’s Completion of Girard

As Bartlett notes, the gospel consists of transformative news delivered in simile and figures of speech: “Christian faith depends on the popular use of words, with their built-in potential for metonym, allusion and suggestion, rather than strict conceptual-propositional agreement.”[19] According to John “these [signs] are written in order that you may believe” (John 20:30–31), suggesting “it is the overall writing of Jesus’ deeds and teaching that makes the effective gospel.”[20] There is an immediate identity of signs and mental activity (appreciated in Western or Latin study of signs), but what is missed is the identity of Christ as Logos, completely differentiated from the Greek logos.

Jesus Christ, not the slain scapegoat, is the “true transcendental signifier,” the generator of a peaceable order of meaning. In the Logos of Christ there is a defeat of the violence structuring the world, and this involves a “semiotic struggle, comprising stories, law, prophecy, poetry and, last of all, the singular fact and figure of the cross.”[21] This one rejected by men “must always have itself expelled from a world that cannot be its own.”[22] This is the error on which Jewish thought and the whole of Western thought is founded: Jews who believed “they could keep Yahweh in the Temple” or capture Him in the Law, or Christians who imagine there must be sacrifice and at least one scapegoat (necessary violence).

In Bartlett’s summary, “Another way of saying this is that the logos of Christianity is non-violent, is non-violence itself, and will never retaliate. It is precisely by being ‘driven out’ that it reveals itself: a paradoxical, subversive, world-overturning revelation amounting not to the continually misrecognized double valence of the human good, but to a generative new human meaning.”[23]  The Christian Logos not only overturns myth but subverts the ground of Western metaphysics and thought. Christian truth is not to be set along side other truth systems but is singular and overturns the tables of human religion, philosophy, and metaphysics. (In this the project of the poststructuralists, such as Heidegger and Derrida, is brought to completion in the exposure and overturning of the violent metaphysic at the root of human meaning.)

The deep existential choice, posed by Heidegger (summing up the Greek religious and philosophical tradition) and Girard (summing up the Christian exposure of this tradition and offering an alternative) is between a violent and a non-violent (peaceable) organizing center for human existence. As Bartlett emphasized in his lecture, this shift requires total commitment: “You have to go to the heart of it – this is the idea of going to the desert, of changing your life the way Paul changed his, of really taking this thing to heart, because everything is at stake.” Violence is the organizing principle of human civilization, and the empty tomb is a “cataclysmic shock” that provides “no real resolution yet” – “just the radical deconstruction of all familiar structures.” Heidegger retreated into Naziism and Girard did not arrive at total nonviolence, toward which his work pointed. The legacy of the Christian logos is hard to take, hard to assimilate as a way of being human. The vast majority of people, including great thinkers, shrink back from the radical implications of choosing the non-violent path, because it requires nothing less than a complete transformation of how we understand human existence and meaning-making.24


[1] This is too brief and inadequate of a summing up but this is my feeble attempt to capture some of the profound significance Anthony Bartlett is setting forth. His work deserves a wide exposure and I hope this class is the beginning of a wider and much deserved recognition.

[2]René Girard, Things Hidden Since the Foundation of the World, trans., Stephen Bann & Michael Metteer (Stanford: Stanford University Press, 1987), 266.

[3] Things Hidden, 265.

[4] Things Hidden, 271.

[5] Martin Heidegger, Being and Time, trans., John Macquarrie & Edward Robinson (Oxford: Blackwell, 1962) 28

[6] Martin Heidegger, Poetry, Language, and Thought, trans., Albert Hofstadter (New York: Harper Collins, 1971), 207

[7] Being and Time, 28.

[8] Poetry, Language, and Thought, 206.

[9] Poetry, Language, and Thought, 207.

[10] Martin Heidegger, Introduction to Metaphysics (New Haven: Yale University Press, 2000), 65.

[11] Metaphysics, 149.

[12] Metaphysics, 160

[13] Metaphysics, 160.

[14] Metaphysics, 132.

[15] Things Hidden, 138.

[16] Things Hidden, 275.

[17] Things Hidden, 275.

[18] Things Hidden, 276.

[19] Anthony Bartlett, “Theology and Catastrophe A (Girardian) Semiotics of Re-Humanization,” (Forum Philosophicum 23 (2018) no. 2, 171–188 ISSN 1426-1898) 178.

[20] Theology and Catastrophe, 178

[21] Theology and Catastrophe, 179.

[22] Things Hidden, 272.

[23] Theology and Catastrophe, 179.

[24] Thank you Jim for the notes.

Maximus the Confessor: Knowing Christ as Breaking the Bonds of Human Knowledge

The parameters of human thought are captured in the statement, “Identity through difference reduces to sameness.” It is a plural parameter in that the first half of the statement captures the form of thought that is focused on difference. Greek dualism,[1] the Kantian distinction between noumena and phenomena, or the biblical portrayal of human knowledge as falling into the dialectical pairs of good and evil, illustrate some of the possible infinite pairs expressing a necessary difference. Language is structured on binaries and human entry into language depends upon the child entering into the capacity for differentiation, which is to say that identity through difference may describe philosophical or sociological possibilities all of which depend upon a more basic psychology.

Paul gives us the psychological form of the dialectic in Romans 7, in which the I is pitted against itself (I do what I do not want to do). He provides the religious form of the dialectic in his depiction of the Jewish reification of law and Jewishness (opposed to Gentiles). He depicts a sexual/psychological form of the dualism in the male/female duality, and he pictures a sociological dualism in the slave/free duality.

The second form of the parameter, the reduction to sameness, is often equated with eastern forms of monism or pantheism, which may also be a psychology, religion, and sociology. But to characterize the two forms of thought as eastern and western may be to miss that that identity through difference implies sameness. Hegel’s dialectic between death and life (or something and nothing), taken up by Heidegger, is indistinguishable from the Zen Buddhist thought of Nishida Kitaro (something Heidegger and Nishida recognized in one another). Just as with a “good” dependent on its opposite “evil” (as in the knowledge of good and evil), so too life dependent on death, or “something” dependent upon “nothing,” implicitly privileges evil, death and nothingness. Hegel, more than Heidegger, seems to recognize the inherent violence and evil (the necessity of the “slaughter bench of history”) grounding his dialectic, which the fascists (Heidegger and Nishida) served blindly. Though Sigmund Freud privileges the western notion of the ego and denigrates the drive to sameness, equating it with eastern religion (dubbing it the Nirvana Principle), in his later thought (emphasized by Jacques Lacan) he recognizes both phases of identity as part of the universal human sickness. The reality is that, though some may emphasize difference or sameness, the two are interdependent and always found together.

René Girard depicts sameness in terms of the undifferentiated violence which gripped the generation of Noah, constituting the flood. Universal destruction is a violent melding into the One. The resistance to sameness in the differentiation of Noah, Abraham, Moses, and the Jewish Law, and the continual slide into idolatry, intermarriage, sexual and religious indifference, is the predominant story of the Bible. Differentiation turned into “absolute difference” (reification of the Law and Judaism) is the failure of thought attached perhaps to second Temple Judaism, pharisaic religion, or the religion practiced by Paul (the Pharisee) and his contemporaries. The absolute distinctions of Judaism in its depiction of God as holy and unapproachable, is the final preparation for the recognition of the revelation of the Messiah.

The New Testament depiction of the God/man ushers in a new order of knowing, psychology, sociology, and ultimately peace, founded upon knowing Christ rather than identity according to difference and sameness. It may be that Maximus the Confessor (580-662 A.D.) works out most completely how it is that Christ surpasses difference and sameness. Maximus comes at the end of a centuries long debate in which the heretical tendency was to either overemphasize the deity or the humanity  of Christ. The Council of Chalcedon makes a bald statement about the “hypostatic” union of deity and humanity in Christ:

of one substance with the Father as regards his Godhead, and at the same time of one substance with us as regards his manhood . . . recognized in two natures, without confusion, without change, without division, without separation; the distinction of natures being in no way annulled by the union, but rather the characteristics of each nature being preserved and coming together to form one person and subsistence, not as parted or separated into two persons, but one and the same Son and Only-begotten God the Word, Lord Jesus Christ.

The effort is to maintain the difference of two natures combined in one person, avoiding both difference of persons (there is a single unified person) yet maintaining difference of natures (yet “without confusion, without change, without division, without separation). What Maximus recognizes is this formula cannot be maintained on any other basis than that of Christ Jesus himself. Knowing Christ entails a new metaphysical understanding and an alternative epistemological order (knowing Christ is its own order of logic and its own order of being). To fit Christ to a Greek or any human frame of understanding will be to inevitably fall into identity through difference (an unapproachable transcendence) or sameness (immanence without transcendence). This is not simply a theoretical or philosophical danger, as Maximus recognizes that knowing Christ is a transformative knowing (involving deification or becoming united with Christ). How we know is determined, in this case, by who we know. Failing to know rightly, Maximus the Monk and ascetic recognizes, is to fail to know the love of God rightly. To enter into Trinitarian love is not a possibility available through human knowing, and human misunderstanding is not simply a failure to know rightly but this form of knowing is an obstacle to love.[2]

As Maximus explains in Ambigua (hereafter Amb.) 10 (explaining a statement of Gregory the Theologian that seems solely concentrated on reason and contemplation), true philosophy is always combined with true practice. He says “practice is absolutely conjoined with reason” as “right thinking” alone restrains “irrational impulses.” He describes the mode of human reason as clouded or veiled as it is misdirected from its telos of knowing God and is confined to “surface appearances” and is caught up “solely into what can be perceived by the senses, and so discovers angry passions, desires, and unseemly pleasures” (Amb. 10.7). He makes a distinction between knowing “polemically and agonistically” as opposed to a true rationality (Amb. 10.5). One can know through identity and difference (agonistically, polemically, dialectically), or one can know according to Christ.

True rationality will no longer play the contradictory game of imagining absolute difference as conceivable (the very ground of conception), and thus reducing it to sameness. Christ unifies what is absolutely transcendent and immanent, not in a new combination of these categories, but as their very definition.  As Jordan Wood puts it in regard to Maximus, “Divine and human natures are not only incommensurably different while perichoretically unified, but ineffably identical in Christ. . .. God is not merely transcendent, nor merely immanent, but is mysteriously the identity of both, and this renders him all the more transcendent.”[3]

Apart from Christ, transcendence is really a non-category, the equivalent of death or nothingness. That is, transcendence rendered as a mere negation, is no transcendence at all. God as an apophatic mystery is the equivalent of Heideggerian nothingness or Hegelian death. In both instances, the negation is the true power behind any positive being. By the same token, an apophatic God may serve as a reified nothingness – an absolute difference providing the background of all that is something. Though Maximus refers to the categories of transcendent and immanent or apophatic and cataphatic, these are not the basis of knowing nor do they constitute a metaphysical reality, as in Christ these categories are brought together such that Christ surpasses transcendence and immanence and apophatic and cataphatic. As Maximus writes,

As much as He became comprehensible through the fact of His birth, by so much more do we now know Him to be incomprehensible precisely because of that birth. “For He remains hidden even after His manifestation,” says the teacher, “or, to speak more divinely, He remains hidden in His manifestation. For the mystery remains concealed by Jesus, and can be drawn out by no word or mind, for even when spoken of, it remains ineffable, and when conceived, unknown. (Amb. 5.5)

Christ as the ground of true knowledge and true reason is not a ground that can be reduced or known on some other basis. This knowledge is ineffable, not in the sense that nothing or absence serves as the ground of knowing, but all knowing and all positive being gives itself in Christ as its own ground and is not apprehended on some other foundation. This is a positive transcendence – a new order of transcendence.

Beyond this, what could be a more compelling demonstration of the Divinity’s transcendence of being? For it discloses its concealment by means of a manifestation, its ineffability through speech, and its transcendent unknowability through the mind, and, to say what is greatest of all, it shows itself to be beyond being by entering essentially into being. (Amb. 5.5)

An immanent demonstration of transcendence or a manifestation of concealment or an articulation and knowability which reveals an inarticulate unknowability, is the only basis upon which transcendence is made known. It is only as Christ is beyond being that he can enter into being. What we learn in Christ is that a full transcendence is the basis for immanence. As Wood puts it, “He is not merely beyond knowability and unknowability (speech and silence, affirmation and negation, etc.). This very transcendence is what allows him to be both at once, and his being both at once is therefore the premiere index of this newly appreciable transcendence.”[4]

This seeming paradox is of the same order as the paradox that knowing does not serve as its own ground or that language arises from a deep grammar that is not itself subject to explanation. Christ is the foundation, the bedrock at which the spade is turned. Christ preserves absolute difference within the singular person he is (this is Maximus’ is), as the immanent manifestation of this absolute. This is a new order of transcendence and a new order of reason, bringing together what otherwise is radically separate, and bringing it together “without difference, without separation, and without distinction.”

As Maximus describes it in regard to Mary and Jesus’ virgin birth, the seemingly impossible is made possible and the paradoxical is rendered as part of a new order of understanding:

Thus, “though He was beyond being, He came into being,” fashioning within nature a new origin of creation and a different mode of birth, for He was conceived having become the seed of His own flesh, and He was born having become the seal of the virginity of the one who bore Him, showing that in her case mutually contradictory things can truly come together. For she herself is both virgin and mother, innovating nature by a coincidence of opposites, since virginity and childbearing are opposites, and no one would have been able to imagine their natural combination. Therefore the Virgin is truly “Theotokos,” for in a manner beyond nature, as if by seed, she conceived and gave birth to “the Word who is beyond being,” since the mother of one who was sown and conceived is properly she who gave Him birth. (Amb. 5.13)

Only one beyond being could so fashion being, providing the seed for his own flesh, preserving the virginity of His own Mother, and making her who is subject to His being, give birth to the one beyond being. “For ‘in a manner beyond’ us, the ‘Word beyond being truly assumed our being,’ and joined together the transcendent negation with the affirmation of our nature” thus His is a power “that is beyond infinity, recognized through the generation of opposites” (Amb. 5.14).

As Maximus notes, it is not as if human identity has its existence apart from the possibility of this reality found in Christ, as human “essence itself, which plainly is not a self-subsisting hypostasis, for it has no existence in and of itself, but instead receives its being in the person of God the Word, who truly assumed it” (Amb. 5.11). The identity of Christ as the God/man is not subsequent to human identity but is the very ground and source of human identity. It is only “in a manner beyond man,” that “He truly became man” and it is only due to His transcendence over nature that he came to be “according to nature, united and unimpaired” but this fact about who he is, the logic of the incarnation, is the logic of creation and of human identity. As Maximus succinctly puts it, “As God, He was the motivating principle of His own humanity, and as man He was the revelatory principle of His own divinity” (Amb. 5.18). Just as he is the ground of his humanity, he is the ground of all humanity, and this is made known in who he is. In all “that He did He confirmed the presence of the one through the other, since He is truly both” (God and man) (Amb. 5.17) and this difference is the ground of all human identity and the ground of true knowledge. “The conjunction of these was beyond what is possible, but He for whom nothing is impossible became their true union, and was the hypostasis in neither of them exclusively, in no way acting through one of the natures in separation from the other, but in all that He did He confirmed the presence of the one through the other, since He is truly both” (Amb. 5.17). Christ is the possibility and potentiality of what it means to be human. This possibility cannot be otherwise known or approached. The incarnate Christ is the very ground of human possibility, the purpose and ground of creation, and the understanding of this reality, like the reality itself, is only known though him.

Maximus is well aware that the temptation is to relinquish the absoluteness of divine transcendence or to make this absolute negation itself part of the typical dialectic constituting human knowledge: “it is not, as some would have it, “by the negation of two extremes that we arrive at an affirmation” of something in the middle, for there is no kind of intermediate nature in Christ that could be the positive remainder after the negation of two extremes” (Amb. 5.20). There is no dialectic between transcendence and immanence on the order of the Hegelian dialectic or the dialectic of the knowledge of good and evil. What is absolute remains absolute in the revelation and reality of Jesus Christ.


[1] Dualism is, of course, the wrong word, but it is a perceived dualism that functions through the contradictory notion of absolute difference (an inherent contradiction). There are no conceivable absolute differences as, if they are conceivable, they are not absolute. Absolute differences can in no way be brought together in human thought. It is also an obvious overgeneralization to simply portray Greek thought as working on this false dualism, as it too contains both forms of thought (e.g., Plato’s deployment of the chora).

[2] See Andrew Louth, Maximus the Confessor, (London: Routledge, 1996) 25-26.

[3] Jordan Daniel Wood, “Both Mere Man and Naked God: The Incarnational Logic of Apophasis in St. Maximus the Confessor”; in Maximus the Confessor as a European Philosopher (Eugene, Oregon: Cascade Books, 2017) 111.

[4] Wood, 117.

The End of Naïve Evangelicalism: Exposing the Word of Death

With the storming of the Capitol building, it is clear that we have reached the end of a naïve era: a four-year long indulgence of right-wing politics, and a decades long linking of evangelical religion to nationalism. The exposed underbelly of this religion has shown it to be antithetical to the teachings of Christ. The President’s deployment of his Christian base and the fact that it serves his strategy, indicates the shape of the religion that would serve him. It exceeds guilt by association, as the very possibility of association (with white nationalism, the KKK, or the raw grab for power) is a blasphemous implication of the Prince of Peace in violent nationalism.

 I cannot help but link recent events to an emptying out of the religion, which Faith and I have witnessed personally, since we returned to this country 15 years ago. We came back to work for a Christian College here in Moberly, and it was there we recognized that the religion had morphed into something unrecognizable. The microcosm of the rule by fear and intimidation witnessed at the national level, we witnessed in this institution. The misogyny and maltreatment of women, the commitment to a hellish Christianity built upon fear, and the commitment to a violent God and violent faith, produced systemic abuse which we did not encounter in twenty years in Japan. The forms of violence directly pitted against the rule of law in the Capitol, in this little institution were pitted against basic humane and legal treatment. The same forces that put up a JESUS sign during the storming of the Capitol, the forces that put Donald Trump into office, have transformed what is called “Christianity.” The religion has been turned inside out, along with the nation state, set to destroy what it is meant to uphold and protect.

 In other words, the deployment of the religion in support of the nation state is imploding. The endless sex scandals, the attachment to the cult of personality, the commitment to consumerism over principle and ethics, describes both church and state. It is as if the worst elements of the religion have come to a head in this political period, and the religion connected to the political right has been exposed for the misshapen anti-Christianity that it truly is. The lawlessness of the rioters on Wednesday did not arise in a vacuum, as they were clearly egged on by the President, but this President has been egged on by religious supporters and advisers.

I have pointed to the broad, two-kingdom sort of theology which enabled national socialism (Nazism) in Germany, and which is embraced by American Christian nationalists (here), but I think there is a more specific element in Nazi ideology which coincides with American evangelicalism. The escapism, the “going to heaven when you die,” the otherworldly nature of the American form of the faith, allows death and alienation to reign here upon earth. This was accomplished for Germans in many ways, but archetypically by Martin Heidegger.

Heidegger, the premiere philosopher of the Nazi period, might as well have been declared “Official Nazi Theologian” for his subtle separation of the insights of the Christian faith from the tenets of the teaching of Jesus. He deploys key vocabulary of the New Testament in a negation of the religion. This negative Christianity, instead of trading in resurrection life, presumes the primacy of death and the strategies that deal in death. The religion and philosophy might be summed up in Heidegger’s conclusion that the defining characteristic of humans is death:

Mortals are they who can experience death as death. Animals cannot do so. But animals cannot speak either. The essential relation between death and language flashes up before us, but remains still unthought. It can, however, beckon us toward the way in which the nature of language draws us into its concern.[1]

Heidegger’s linkage of language and death may be a flash of insight worth dwelling upon – he continues to dwell upon it and little else – but left in isolation this focus supports and coincides with one of the most destructive periods in human history. At the same time, Heidegger’s singular focus reveals the shape of a Christian theology which allows death to stand in this life as the controlling factor.

Heidegger’s singular link of death and language, which is certainly serious and worth developing, is only one instance of an infinite number of similar links with language. “Humans are they” who can experience life as life because they speak. Humans are they who can tell jokes because they speak. Humans are they who can experience sex as more than mere animal copulation because they speak (etc. etc. ad infinitum). Certainly, humans appear as “mortal and speaking” but they also appear as liars and speaking, as jokesters and speaking, as lovers and speaking, and as potentially immortal and speaking.

The point is not to trivialize the link between language and death but to recognize the many faceted nature of this relation so as to draw out what it must mean to be “constantly delivered to death” (2 Cor. 4:11), or to defeat death through the peculiarity of the Christian orientation to the word.  Heidegger seems to picture deliverance to death as a one-way street, but Paul is here recognizing and moving beyond where Heidegger stops short. More than that, he is describing an impetus behind language – to take up the word and speak – where Heidegger seems to make the case for silence. Paul is describing a reconnection to the world, to human relationships, which is not obstructed by death, due to participation in the death of Christ. The power of the word of the cross is the power of fellowship, the power for life, the power for preaching.

In contrast, a faith which pictures the cross as a death to benefit God (divine satisfaction, penal substitution) or a deliverance from hell, and not a defeat of death and an opening up of the world, leaves death and violence as a world orientation and strategy. Heidegger and evangelicalism share a singular, flat link to death. Heidegger maintains that death is the main thing about humans and evangelicalism allows this singular emphasis to stand.  

Paul is suggesting that all of life is opened up in rightly understanding the link between the word and death, not because the orientation to death is denied, but because it is displaced. In one instance (in both Paul and Heidegger) language and being human might appear deadly and death dealing but in the other (the Pauline alternative to Heidegger), every facet of life, including death, takes on the aura of revelation. Christ’s death defeats death, baptism inaugurates this victory for all, and communion in the body of Christ describes a life that continually overcomes death. As Paul describes the Christian life: “always carrying about in the body the dying of Jesus, so that the life of Jesus also may be manifested in our body” (2 Cor. 4:10). The Christian embrace of immortality is not meant to be an escape from the connection to death, language, and the world, but it is meant to reverse the sinful orientation to death and to open up life and love in the world.  

Think here, again, of my previous reference to Helen Keller (here), who pictures her entry into language as an opening to the world on the order of a divine revelation.  “The living word awakened my soul, gave it light, hope, joy, set it free!” For the first time Helen experiences “water,” “earth,” “teacher,” “baby,” and some 30 odd things she names in an afternoon. Language acquisition, for Helen, is on the order of divine revelation, but what Heidegger demonstrates is the human barrier to this equation. There is a link between language and death which may characterize people and which is spelled out in philosophy and psychology, but the point of Christianity and even the possibility indicated in language is the opposite of this stunted link.

 I do not mean simply that people have the possibility for future eternal life, but that there is a specific orientation to law and language which is deadly and death dealing and that there is an alternative orientation implied even in this stunted negative orientation. Christian engagement with death is aimed at defeating this deadly orientation here and now.  The point of Christianity, the power conveyed through resurrection faith, takes us beyond he word of death to the word of life.

Heidegger does not note the necessary positive side, which makes the negative appear. He only recognizes the negative aspect, the absence and negativity, and he imagines this absence and nothingness is final ground. Heidegger’s philosophy concludes to a pure negativity and nothingness, which presumes with Hegel that to be human is to be founded on negativity. Heidegger is following Hegel, for whom the human is a negative being who “is that which he is not and not that which he is.” He is a “placeholder of nothingness” as death is definitive. I would suggest, Heidegger and Hegel are partly correct in their assessment. Absent a Christian reorientation to the law of sin and death, humans are driven by death as if it were the force of life.

Paul presumes death, like the word, holds out a series of links and possibilities. His understanding of the truth of death, is that death, like language, is peculiar for humans because it holds out a different, an enduring, possibility. Just as mortality is constituted by the possibility of immortality, death is only death where it is presumed to be something other than ground or end. What I mean here is not that death is necessarily linked in reality to immortality, I just mean that human death is constituted as death because the peculiarity of language necessarily opens up another possibility.

Paul is describing a reorientation to both death and language in which neither is presumed as its own end, and he is presuming upon this inherent possibility within language. This might be taken as a trivial reference to a future possibility, but Paul is describing a present actuality, in which death threatens but this very threat opens the mortal to the immortal. He is linking the inherent possibility of language to the realization of a different reality. Certainly, this is realized through Christ, but this should not be separated from everyday life. Paul is describing the “mortal flesh,” the feeling of being “abandoned,” of being “destroyed,” or of “slowly dying,” with the life of Jesus being revealed. As he puts it, “So death works in us, but life in you” (2 Cor. 4:12). Paul is focused on both sides of the valence of the word – it is joined with death in one instance so as to be joined to life in the other instance.

What Heidegger misses, is that while death and mortality appear as primary in human orientation, it is on the same basis that their opposites also “flash before us.” Immortality, too, is not a consideration for unspeaking animals and it is precisely this possibility that constitutes the peculiar human experience of mortality and death. Death taken as life, immortality folded into mortality, or the enchantment of religion lent to nationalism, describes the human tendency to immortalize the tomb and the religious and “secular” systems which worship the tomb. In a pervasive but bizarre reversal, death takes on the patina of life and immortality, as the human condition is not simply bent to death but to immortality – to immortalizing death. What the Bible calls the covenant with death and links to the lie of the serpent and the lie of idolatry, Heidegger identifies with Dasein, with the house of language, with “being there” or waking up to being, which only death and nothingness can make shine. Heidegger is selling his philosophy on the basis that death and nothingness serve in place of life.

This is not simply the accomplishment of a subtle philosophical mind, but I believe it is the articulation of the human condition outside of Christ. It is the reality that is left standing, one way or another, where death is not dethroned as the point of life. A Christianity focused on the problem of God, the problem of hell, the problem of the law, and which misses the way in which the world is entangled with the lie oriented to death, lets death have the last word. It has failed to enact the reign of the living word.

The sign that authentic Christianity has been traded for a counterfeit is the violence this entails, as violence is the necessity where death reigns. As Heidegger’s philosophy fits national socialism, anti-Semitism, and the Holocaust, in the same way evangelicalism is a fitting theology for American nationalism and the death of hundreds of thousands sacrificed to Mammon, as both transfer the glow of life and truth to death and violence.

As Hitler needed Heidegger and German Christians, so Trump is dependent on evangelicals to lend a religious aura to his violent grasping after power. Heidegger was Hitler’s favorite living philosopher precisely because of his nihilistic embrace of violence and death. Nazi Christianity (the German Christians who embraced Hitler and the Nazi party as opposed to those who did not) was shown up as hollow and empty, just as the religion which led to the storming of the barricades at the Capitol is now exposed in its promotion of death and violence in place of life and peace. This exposure of the religion, spent as it has been on the coin of the realm of a deadly nationalism, is clearly an empty word, a bankrupt form of the faith.  


[1] Martin Heidegger, On the Way to Language, (trans. Peter D. Hertz, New York, 1971), 107-108.

The Conversion of the Imagination

I am convinced that whatever the field of endeavor, whether philosophy, psychology, theology, or whatever, that each field of study or form of discourse hits the same wall or encounters the same failure, characteristic of failed human thought. The failure will show itself through a full stop: conversation stops, questions cease, imagination is halted, because the form of thought is not alive, it is not dynamic. Movement ceases because it presumes or desires too much and ends with too little. The Western philosophical/theological project, attempting to say it all, ends in nihilism; a positive theological scholasticism (to think God) ends in a purely negative apophatic theology; an attempt to pin down the master signifier of the law ends in perversion (to be the phallic object of desire) or hysteria (despairing over the lost object).  In theological terms, God is turned into an object to be contained within human knowledge while human knowing is assigned, simultaneously, a God-like power to shed its finite bonds (Martin Heidegger’s characterization taken from Kant, “ontotheology,” describes this modern project). In this ontotheological mode of thought, one would think himself out of the world, which freezes thought as it locks onto a static, impossible, object.

For example, Anselm’s cosmological argument begins by comparing differences in the world (some horses are fast, but there is a fastest horse) so that his argument depends upon differentiation which works its way to the ultimate difference. The ultimate act of differentiating locates God in a category of incomparable difference (a denial of recognizable difference). Thus, at the same time God is proven, he is also put beyond thought. The ultimate difference, God, is an unthinkable or empty thought. All the world is reduced to nothing in comparison to the being of God, and the mode of differentiating thought is exhausted on the “nothing” side of the ontological divide.

His ontological argument, (the name for God is “something than which nothing greater can be thought”) starts where his cosmological argument ended and consists of the same move. There is a name or a thought of God but “nothing” serves to define the “something” in the name. Anselm would “see God” (the absolute “something”) and only “finds darkness” and “nothing,” in his own words, as God is beyond any normative thought. Rather than bring heaven and earth together, as in the biblical cosmology, the characteristic of natural arguments tend, like Anselm’s cosmological and ontological argument, to introduce a gulf of separation between God and the world due to the form of the argument. Each of the “natural arguments” for God, leave God on the other side of an ontological divide, but also posit an uncrossable division within reality, which will come to characterize modern thought.

Kant posits the ever illusive noumena (the unthinkable and unattainable thing-in-itself) and leaves us only phenomena, while Hegel presumes the process of thought is the thing, always on its way but never arriving. In one instance, the focus is on an unobtainable object (the thinking thing, the noumena, the subject of the law, the master signifier), while the other is focused on a frustrated movement of thought (the “I think” portion of the cogito, the Geist or spirit). Maybe this helps explain how, for many, virtual reality now serves in place of reality. At the least, the philosophical impasse illustrates the full stop disengagement with reality marking this cultural moment. It is not simply the beatific vision, the hope for heaven, but earthly reality that has gone missing.

While this displacement of reality with a delusion is peculiarly sharp in this cultural moment, it is precisely this simulacrum Paul equates with the dynamic of desire aroused by the law – the law is falsely assigned a fulness of reality. Lacan, in a more prosaic turn of phrase, describes this impossible desire as the search for the maternal phallus. The diagnosis might focus on the disproportionate desire: to be the primal father (having all the women), or to stand in place of the law, or to penetrate the final mystery. Or the diagnosis might focus on the impossibility of the object: God is either posited as a thing in the world to be known, like an object of sight, or is consigned to an absolutely transcendent unknown (inherent to Paul’s description of the functioning of the law).

 In turn, thought takes on the characteristic of a “totalizing vision” (with the emphasis falling on “vision”) in which experience (the senses, personal experience, historical experience, the experience of others, etc.) and dynamism (in other words, reality) are subsumed. What surreptitiously takes place, as Marx noted, is the privileging of a particular stance (a particular culture and a particular place in that culture) as if it is universal. After Freud and Lacan, this has been dubbed “phallocentric” thought as it reifies the (male) symbolic order (law, the superego, language, the father) as it drives toward mastery and represses absence and incompleteness (the feminine).

The resolution to this form of thought, first articulated in the modern period as a conversion of the imagination by C. S. Lewis, is easier to describe than the various diagnoses (as illustrated in my abbreviated and hectic summary), but in order to understand the work this resolution is performing we need the diagnoses. The resolution offered in narrative or historical theology invokes a different standard (a call to justice, beauty, and love) and is relocating every element of the problem (God and Christ as object, the role of language, the adequacy of knowledge) but it is also giving rise to an alternative set of emotions, experience, and desire, captured in the notion of the conversion of the imagination. Lewis describes his conversion as “a baptism of the imagination,” by which he meant not merely the addition of God to a world already in place, but a transformation of every aspect of experience into a reworked world.

Following Lewis, we could picture the problem and solution in terms of types of stories. A failed or limited story, as with the failed imagination, might be said to engage a portion of reality, a level of experience, or form of thought. These stories are not necessarily untrue, though they may be, but they lack truth in the same way as some characters fall short of the truth. Lewis portrays failed characters as incapable of discerning the voice of Aslan or incapable, even when confronted with paradise (i.e. Narnia), of inhabiting it. Uncle Andrew only seeks magical power, Edmund wants Turkish Delight, and the White Witch, in her great beauty, is a type of the deceiver of Ezekiel, who would falsely proclaim herself Queen over Narnia. (Like the creature in Ezekiel, she has great beauty and cunning wisdom, both of which are deployed for deception and evil.) Each of these small or evil characters would use Narnia to fulfill their own unimaginative desires. They each order the world according to the shape of their desire and understanding, while we as readers recognize, Narnia is better, more complete, and differently ordered than these characters realize. They each make choices based on their failed understanding. As Stanley Hauerwas describes it, the moral life does not consist simply of correctly choosing but of being trained how to see. Moral notions expand character (and characters) so that they are up to the task of rightly perceiving reality. Through moral development the weak or small characters, such as Edmund, become attuned not only to the voice of Aslan, in Lewis’ world, but they come to love him. The development of moral insight comes then, with a training in the imagination which can only come about by being schooled in and initiated into an ever-expanding narrative.

If we only know one kind of story and are trained only to see a certain flatness, it may be that we are impressed with stick figure characters (and arguments). What we need (and I am not making an absolute claim as to how this might work) may be exposure to a fuller reality rather than more or bigger stick figures. Imagine trying to describe the music of Yo-Yo Ma to those who have never heard his music. You might use mathematics and a black board, but the medium would kill the message. Better let them listen to his music and experience it full on. True, there are those who may not have ears to hear or eyes to see: think of trying to illicit appreciation for Dostoevsky, or Wendell Berry, or even the children’s tales of C. S. Lewis, in a modern Trump-like character, devoid of any but the most insipid imagination. But to translate every tale into this world would reduce everything into idioms of power or variations on “greed is good.” Uncle Andrew, in The Magician’s Nephew, can only hear the roar of Aslan and cannot make out his talk, but maybe it is better to expose him to the roar and to let him see the comprehension of others.

As Tyler (who has young children) put it to me in conversation, Teletubbies may be perfectly adequate for a limited or constrained mentality but for developing and feeding a mature life and imagination they are inadequate and boring. The form fails to engage the fulness of reality and imagination (while it may be perfectly adequate for very young children (I don’t actually know, being unfamiliar with the show) precisely because of this failure). If we find ourselves in the midst of such a truncated story, we can only hope that it would end (setting aside the book, turning the channel, or committing suicide, depending upon the circumstance and our personal resources and investment in the story).

A profound story, however, such as The Brothers Karamazov, puts the full range of human experience and possibility on display. We can see the depths of depravity in the father, Fyodor Pavlovich. His sons, Dmitri and Ivan, represent the possibility of pure evil and greed, and raw intelligent skepticism, respectively, while Alyosha, guided by the good but worldly-wise Zosima, counters (though he may not answer) the darkness of the world of his brothers with a profound goodness and love. To be Alyosha, is to see the world lit up with beauty and goodness, though he is surrounded by and takes account of the depth of evil. Here is a story that enlarges the imagination by offering a picture of enslavement to the realities of darkness (every form of lust greed and wantonness), which only sharpens the hope for the alternative order and the longing for justice, beauty, and love, glimpsed in Zosima and Alyosha.[1]

In this artful presentation of reality, reality is assigned a depth of meaning, so that the story engages the reality of the world while providing a vision of God. It does not float free of the cosmos (as in the various arguments for God), but reads a depth of meaning into the world. The danger, in a less than true story, is that the world of the story falls short of reality, or in the language of theology, God and the world are made completely separate by the form of thought. According to Maurice Blondel this is the problem with neo-Scholastic arguments and reason; this form of thought made God extrinsic, rather than an intrinsic part of the natural world. As a result there is a depletion of desire for God, fostered by the very arguments which would prove his existence, as the form of thought is flat and boring.

To recover God must mean a simultaneous recovery of the world, a recovery of curiosity and participation, and an alternative deployment of language. We might picture it as a recovery of the language of Adam prior to the fall, in which Adam works with God in bringing order out of chaos by naming and assigning value as a co-participant in creation. Or we might picture it in terms of the Jewish Temple, as a microcosmos, with God and the world conjoined, and God emerging, through the mediation and work of his priests, from out of the Holy of Holies into the cosmos (see here for a fuller picture of this). Likewise, new creation “work” is a creativity assigned to human mediators and priests who serve in the Temple of creation to usher in, to represent, to witness to the movement of God out of the Holy of Holies into the Holy Place and into the created order.

 Do we not recognize this in the work of the artists we admire and would emulate? Or maybe we are not even up to admiring directly – but we learn to admire. I am thinking here of my good friend Jason’s fascination with Wendell Berry. Jason has been a priest to me of the beauty of an imagination of which I was not aware. I would like to think I was not a complete idiot but that I had been primed, and many of us have been so primed by Hebrew scripture, to the spiritual depth, to the fingerprint of God, or to the shining of the glory of God. “The heavens declare the glory of God; the skies proclaim the work of his hands. Day after day they pour forth speech; night after night they reveal knowledge” (Psalm 19:1-2). This is not a language or speech that one recognizes “naturally,” as “They have no speech, they use no words; no sound is heard from them. Yet their voice goes out into all the earth, their words to the ends of the world” (19:3-4). As the Psalmist explains, one hears this speech due to the working of Torah: “The statutes of the Lord are trustworthy, making wise the simple. The precepts of the Lord are right, giving joy to the heart. The commands of the Lord are radiant, giving light to the eyes” (19:7-8). The word of God resonates with the world, bringing it to life for the simpleton.

This is a different order of language from that which would divide off from the world and render all that is created a dead, cold, mechanical, system (Newtonian Theory, exploitative consumer economics, or simply “art” which renders the world a dead object). There is a “dead letter” which kills or there is a living word which animates, creates, and brings to life. The dead letter stops you in your tracks, turns you inward (“close the door of your room and close the door of your mind” Anselm advises, in order to conceive of his ontological God), while the living word calls you to quest further, to go deeper, to find the fulness, not in frustration, but in the joy of the unfolding and opening up of the conversion of the imagination.


[1] Thanks to Matt for the gift of a new translation I have undertaken rereading the story.

Neurotheology Versus Psychotheology: Does Enlightenment Promote Moral Idiocy?

Building a playhouse for my children I ran a rusty nail into my hand; I was being cheap and trying to reuse nails. The next day, in the midst of teaching, I noticed the veins in my arms had turned a bright red.  I clearly had blood poisoning. A trip to the local doctor cured the blood poisoning but he sent me to the university hospital where they let me in on some terrible news. My blood platelets were over-sized and too few. They told me I could not risk travelling into Tokyo on the train and that I would have to cease working and check into the hospital in the next few days. They made it fairly clear my time was up. They didn’t give us a clear diagnosis but Faith, my wife, and I narrowed it down to two possibilities, both of which were irreversibly fatal. So, I stayed home and began to feel the weight of death descend. I did indeed feel my energy running out. I began to shuffle about the house, moving slowly as life seemed to be ebbing away. Continue reading “Neurotheology Versus Psychotheology: Does Enlightenment Promote Moral Idiocy?”