Out of the long disputes in church history about the nature of the person of Christ, there develops a complicated and nuanced understanding of what it means to be a person. This is developed by Maximus the Confessor, who describes the “depth of the soul,” the “hidden part of the heart,” the two natures and wills, the role of reason intellect and sense experience, all of which is integrated into a singular personhood.[1] Maximus is “Confessor,” having his hand cut off and his tongue torn out, because of his defense of the union of the divine and human natures and wills in the singular person of Christ. Maximus sees Christ as uniting the human and divine, but the very definition of person takes on this mediating role between the heavenly and earthly, the sensible and intelligible, the natural and the spiritual. On the basis of sense experience there is the development of discernment, intellect, and the fulfilling of the personal. In one of Maximus’ favorite triads, he speaks of the development of the human as passing from being, to wellbeing, to eternal being. Being does not explain wellbeing, and wellbeing does not explain eternal being, but as in Einsteinian field theory, the explanation works from the top down, with the person of Christ demonstrating the integration of being (being human, having passions and sense experience etc.) with wellbeing, all of which is understood in the light of the divine-human being. By concentrating vision on eternal being, and understanding God gives being to all that exists, there is the grace of well-being. [2]
In Maximus, as opposed to Freud, this depth psychology is not simply bent on describing the source of human passion and aggression (though Maximus also does this), but also describes how to direct the passions. As Kallistos Ware has put it, Freudian psychoanalysis goes down to a “dank and snake-infested cellar” but there is also a depth psychology serving as a ladder that leads to the Kingdom of God.[3] There is a ladder of ascent through being, the natural, the sensible and the knowable but the ladder of ascent, as with Moses going up Sinai, is a movement from knowing to unknowing, beyond the conceptual into the unknowing of the mystical, and this pertains to the personal. The personal is not reducible to the conceptual or the sensual, or simply to being, but being and all that it entails is mediated through the personal and the personal is ultimately synonymous with the divine Person: “On account of the very things that are and that are becoming, he is the one who is and the one who ‘becomes all things to all’” (I Cor. 9:22).[4]
Synonymous with the concept of the personal are both the divine Person and the cosmos he has created. It is not that either God or cosmos, Creator and creation, can be conceived separately, but it is their integration in Personhood which give them coherence. As with David, he “heard the heavens declare the glory of God and the firmament proclaim the work of His hands, and this is wondrous indeed, since the creator did not endow these things with a soul. Yet with the ears of his intellect, he heard inanimate beings proclaim the principles of theology . . .”[5] David said, “My father and my mother abandoned me, but the Lord took me to himself.” Maximus takes him to be describing the passage from “the natural law of the flesh, which governs the process of birth and corruption” and the passage through “sensation, which feeds us like a mother,” or the passage from desiring the visible to desiring the invisible. “In this way, the visible world is abandoned by us and abandons us, but the Lord takes us to Himself and according to the spiritual law adopts those who are worthy, becoming their adopted father through virtue and knowledge, and in His goodness He gives the whole of Himself to the whole of them, according to the likeness.”[6] God is not perceived apart from the cosmos, rather: “If the soul uses the senses properly, discerning by means of its own faculties the manifold inner principles of created beings, and if it succeeds in wisely transmitting to itself the whole visible universe in which God is hidden and proclaimed in silence, then by use of its own free choice it creates a world of spiritual beauty within the understanding.”[7] As Maximus explains in the Mystagogy, God made all things and defines their limits, though apart from Him these things seem to diverge but “he makes the things that have been set apart from one another by nature to be the things that have converged with one another by the one power of relationship with him as their beginning.”[8]
Throughout, Maximus has in mind the mediating role of the incarnation, which is not simply a model, but the mode of personhood enacted in the body of Christ, which is the explanation of the cosmos: “The universe possesses a sanctuary, which is the realm above and is assigned to the powers above, and it also possesses a nave, which is the realm below and is traversed by those whose lot it is to live through sense perception.”[9] He describes the process of the soul passing through its three stages, as one entering the Church: “By means of the nave, representing the body, it proposes ethical philosophy, while by means of the sanctuary, representing the soul, it spiritually interprets natural contemplation, and by means of the intellect of the divine altar it manifests mystical theology.”[10] Life is a process of putting on Christ, and passing, by means of the earthly nave, into the heavenly sanctuary.
Maximus describes the same process, in detail, in an allegorical reading of the Exodus, in which Moses represents the intellect. Deprived of Moses, as at Sinai, Israel reverts to the mental images of Egypt and return to their delusional wanderings in the wilderness. In Moses absence, they melt down their practice of the virtues in the fire of their passion, and they produce an irrational image, the Golden Calf. When Moses returns, or when divine reason arrives, it grinds this irrational state into powder and scatters it under the water.”[11] The calf is the “mixing and confusion” of the passions, and it is molten as it is the reification of “the form of the evil imaginings stored up in the mind.”[12] The calf is an interpretation, a projection of the imagination, or a false rationalization.
As Jordan Wood explains, Maximus does not think we can avoid making images, or what he calls phantasms, as this is what is entailed in being a rational being.[13] These phantasms, are simply interpretations or intelligible pictures, and in the absence of Moses/reason, a calf “emerges from the fire” of the passions. Humans are continually personifying, even the inanimate, but this false incarnation and false imaging intimates the reality. Every time we stub our toe and get angry at an inanimate object, creation as incarnation is at work. There is an external manifestation, a taking on of flesh, a concretization, which points to the working of grace, even here. The grace of false incarnation is that it can lead to true incarnation as it objectifies, and opens to examination, even stupid delusions. When you examine this object that has now become this event that has now become clear to you (e.g., you yelled at that door or that table), that means you are starting to self-scrutinize what you have brought out of yourself and made into an image, a phantasm, a molten calf. Certainly, you are confused, you have mixed things up, and assigned agency where it is lacking. As Maximus states it, “The intellect takes all of these things, according to the meaning given to each, and throws them into the fire of the passions, where it forges the irrational and mindless state of ignorance, which is the mother of all evils.”[14] Recognizing this evil for what it is, in Maximus extension of the allegory, is to grind the idol into dust and cast it onto the water:
This state, however, can be broken down whenever the intellect—observing in thought the density of the passion as it is manifested externally to the senses—breaks apart the combination of elements producing the passion and brings each one back to its proper principle of origin. This is how it “scatters them under the water,” which is to say “under the knowledge of truth,” clearly distinguishing and decoupling them from their mutually evil coalescence and combination.[15]
Every passion takes a natural power such as desire or anger, and turns it from its created nature, but the intellect enables a deconstruction of this idol, and a return of the natural powers to their proper place. The intellect can grind the molten calf, and its various elements, into powder, and the image of God be restored.
In Jordan’s explanation, Maximus takes from our reifying and idol producing tendencies, the hopeful point, that it densifies, thickens, and becomes almost a false incarnation, and that it thus becomes an object open to examination and deconstruction. Even though it is constructed out of delusion (which is to say, nothing at all), the very fact that that the dynamic product is an incarnation, is also the very occasion for being able to destroy it and therefore be saved. Recognizing false incarnation, in light of its true realization, allows release and the opportunity to pull the powers and passions back from this object and to redirect them. The point is not to give up on images, and to see God as some transcendent immutable other, but the point is to enact discernment. To grind the molten calf into powder, requires discernment and judgment, as the soul comes to possess the divine image of God alone. We do not simply become idol smashers, nor is it simply the right kind of imaging, but it’s a matter of the right image, and the true incarnation.[16]
Personhood, image making, and interpreting, which are at the root of false incarnation, are also the reality and truth of deification. Paul describes this as the goal of his ministry and the point of the spiritual life. Prayer, meditation, spiritual discipline, Bible study, and church involve us in image making as “Christ is formed in you” (Gal. 4:19).
[1] See the development of this in Michael Bakker, “Maximus and Modern Psychology” in The Oxford Handbook of Maximus the Confessor, eds, Pauline Allen and Bronwen Neil, (Oxford: Oxford University Press, 2015) 534.
[2] Maximos the Confessor, On Difficulties in the Church Fathers: The Ambigua Vol. 1, Edited and Translated by Nicholas Constas (Cambridge: Harvard University Press, 2014) Ambigua 10:119.
[3] Kallistos Ware, The Orthodox Way, (Crestwood, NY: St Vladimir’s Seminary Press, 1996) 56, Quoted in Bakker, Ibid.
[4] Saint Maximus The Confessor, On the Ecclesiastical Mystagogy, trans. By Jonathan J. Armstrong (Yonkers New York: St. Vladimir’s Seminary Press, 2019) 50.
[5] Ambigua, 10:20, 179-181.
[6] Ambigua, 10:21, 181.
[7] Ambigua 10: 21, PG 91. 1248C; trans. In A. G. Cooper. The Body in St Maximus the Confessor: Holy Flesh, Wholly Deified, OECS (Oxford: Oxford University Press, 2005) 59, cited in Bakker, 538.
[8] Mystagoy, 51.
[9] Mystagogia, 56.
[10] Mystagogia, 4, cited in Bakker, 540.
[11] Maximus the Confessor, On Difficulties in Sacred Scripture: The Responses to Thalassios, trans. Fr. Maximos Constas (Washington D. C.: The Catholic University of America Press) 16:2, 131.
[12] Thalassios, 132.
[13] Jordan Wood, Lecture at Ploughshares Bible Institute http://podcast.forgingploughshares.org/e/discerning-and-becoming-the-image-of-christ-with-jordan-wood/
[14] Thalassios, 16:5, 132,
[15] Ibid.
[16] Jordan Wood, Ibid.